{"product_id":"haydn-kermes-wdr-funkhausorchester-koln-haydn-opera-gala-2-cd","title":"Haydn \/ Kermes \/ Wdr Funkhausorchester Koln - Haydn: Opera Gala [2 CD]","description":"\u003cp\u003eHaydn Opera Rarities with Top Stars! Although Joseph Haydn is still regarded above all as a master of instrumental music, he was also a contemporary of the future as an opera composer. For a not unsubstantial length of his life, he chiefly devoted himself to this genre; as the opera director of Prince Esterházy, he headed over a thousand opera productions in Esterháza including the 'hits' of the time as well as stage works of his own. It is unusual and a pointer to the future that women take control in both operas presented here. In addition, these female protagonists are people of flesh and blood, strong and pragmatic; the spirit of the Enlightenment can be sensed.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I: Overture\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I Scene 1: Introduction: Bella Sera (Filippo, Vespina, Nencio, Nanni, S\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I Scene 2: Aria: Che Imbroglio E Questo (Sandrina)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I Scene 3: Aria: Non V\u0026amp;#39;e Rimedio (Nanni)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I Scene 4: Aria: Come Piglia Si Bene (Vespina)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I Scene 5: Duet: Son Disperato (Nanni, Vespina)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act I: Act I Scene 6: Finale: O Piglia Questa (Vespina, Sandrina, Filippo, Nencio,\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act II: Act II Scene 4: Aria: Tu Sporsati Alla Sandrina (Filippo)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act II: Act II Scene 5: Recitative: Trinche Vaine Allegramente (Vespina)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act II: Act II Scene 6: Aria: Oh Che Gusto! (Nencio)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act II: Act II Scene 8: Aria: E La Pompa (Sandrina)\u003c\/li\u003e\n\u003cli\u003eL\u0026amp;#39;infedelt\u0026amp;agrave; Delusa, Hob. XXVIII:5, Act II: Act II Scene 9: Finale: Nel Mille Settecento (Vespina, Filippo, Nanni, Nen\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Sinfonia\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Introduzione: Che Burrasca! Che Tempesta!\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Aria: So Che Una Bestia Sei (Masino)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Non Sparate, Mi Disdico\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Aria: Con Un Tenero Sospiro(Rosina)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Recitative And Aria: Mira Il Campo All\u0026amp;rsquo;intorno - A Trionfar (Conte)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act I: Act I: Finale I: Bel Godere La Campagna\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Duet: Massima Filosofica (Masino, Villotto)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Aria: Per Pieta Vezzosi Rai (Ernesto)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Recitative And Aria: Misera Chi M\u0026amp;rsquo;ajuta - Dove Fuggo (Rosina)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Gia La Morte In Mante Nero\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Recitative And Aria: Ah, Non Minganno - Or Che Torna Il Vago Aprile (Conte)\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Finale II: Animo Risoluto\u003c\/li\u003e\n\u003cli\u003eLa Vera Costanza, Hob. XXVIII:8, Act II: Act II: Duet, Finale II: Ah, Dove La Mia Rosina? 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