{"title":"Rounder Records","description":null,"products":[{"product_id":"sarah-jarosz-live-at-the-troubadour-cd","title":"Sarah Jarosz Live At The Troubadour - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eRecorded in August of 2012, Live at the Troubadour finds the Grammy-nominated acoustic wunderkind in pristine form and marks Jarosz’s debut live recording.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003c\/p\u003e\n\u003cp\u003e1. Tell Me True (3:51)\u003cbr\u003e2. Kathy's Song (3:29)\u003cbr\u003e3. Mansinneedof (3:08)\u003cbr\u003e4. Shankill Butchers (3:52)\u003cbr\u003e5. Broussard's Lament (4:03)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961511499,"sku":"015891716329","price":10.78,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/LiveAtTroubadour-CD.png?v=1787759836"},{"product_id":"follow-me-down-cd","title":"Follow Me Down - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eJarosz gleefully changes directions on her new album, Follow Me Down. She chose a more traditional bluegrass sound for her debut, and even though she says making another bluegrass recording would have been true to herself, it was time to explore the other musical ideas she had running around in her head. Those ideas include choosing two diverse covers to include on the recording: Bob Dylan's \"Ring Them Bells\" and Radiohead's \"The Tourist.\" Her voice finds her changing from a sweet-sounding folksinger to a sultry and contemporary musician, and the fact that she's convincing at both is pretty remarkable. Jarosz combines the covers with a slew of originals that range from dreamy pop (\"My Muse\") to bluegrass-inspired ballads (\"Annabelle Lee\"). Each piece showcases not just her effervescent vocals, but also her exceptional mandolin, clawhammer banjo and guitar skills.\u003cbr\u003eA bluegrass prodigy, Jarosz invited all sorts of luminaries to join her on the new recording. Guest appearances by Bela Fleck, Jerry Douglas, Shawn Colvin and others, along with performances featuring her regular trio-mates Alex Hargreaves and Nathaniel Smith, make Follow Me Down an ideal vehicle for Jarosz to continue experimenting with new sounds while still reviving musical traditions. - NPR.com\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003c\/p\u003e\n\u003cp\u003e1. Run Away (3:21)\u003cbr\u003e2. Come Around (3:32)\u003cbr\u003e3. Annabelle Lee (3:09)\u003cbr\u003e4. Ring Them Bells (3:30)\u003cbr\u003e5. My Muse (4:35)\u003cbr\u003e6. Floating in the Balance (2:53)\u003cbr\u003e7. Old Smitty (3:13)\u003cbr\u003e8. The Tourist (4:52)\u003cbr\u003e9. Here Nor There (3:46)\u003cbr\u003e10. Gypsy (3:07)\u003cbr\u003e11. Peace (3:15)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961577035,"sku":"015891406220","price":21.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/FollowMeDown-CD.png?v=1787759836"},{"product_id":"kill-or-be-kind-cd","title":"Kill Or Be Kind - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSamantha Fish’s prodigious gifts as a genre-bending singer, songwriter, and electrifying guitarist have inspired tremendous acclaim from critics and her peers and have earned an abundance of awards for the young artist. Now, with Kill or Be Kind, Fish is poised for a major breakthrough. The edgy roots music album was recorded at Royal Studios in Memphis and produced by three-time Grammy winner Scott Billington and mixed by two-time Grammy winner Steve Reynolds. Boasting 11 original songs ranging from the Mississippi technostomp of “Bulletproof” (played on cigar box guitar) to the sweet Memphis R\u0026amp;B of “Trying Not To Fall in Love With You,” the album features co-writes with Jim McCormack, Eric McFadden, Parker Millsap, Katie Pearlman, and Patrick Sweany and is sure to establish Fish as a potent force in roots music.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Bulletproof (Tangle Eye Mix)\u003cbr\u003e2. Kill or Be Kind\u003cbr\u003e3. Love Letters\u003cbr\u003e4. Watch it Die\u003cbr\u003e5. Trying Not to Fall in Love with You\u003cbr\u003e6. Fair-weather\u003cbr\u003e7. Love Your Lies\u003cbr\u003e8. Dream Girl\u003cbr\u003e9. She Don't Live Around Here\u003cbr\u003e10. Dirty\u003cbr\u003e11. You Got It Bad\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961544267,"sku":"888072100442","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/SF_CD_Sleeve.png?v=1787759836"},{"product_id":"song-up-in-her-head-cd","title":"Song Up In Her Head - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSarah Jarosz’ Song Up In Her Head is not a bluegrass album, though it seems likely that it will end up in that section of the CD store. The songs are all originals, except for covers of the Decemberists' \"Shankill Butchers\" and Tom Waits' \"Come on Up to the House.\" Some of her original compositions sound remarkably ancient, such as the vinegary and modal \"Tell Me True\"; others are bitingly topical, such as \"Broussard's Lament\" -- a song that, for all its indirectness, can only be intended as a sharp commentary on the government's bungling of the rescue and recovery effort following Hurricane Katrina. Her instrumental compositions are complex but sweetly lovely, and her twin-mandolin interplay with Mike Marshall on \"Mansinneedof\" is especially impressive in both its pleasant accessibility and its mature sophistication. Her acoustic arrangement of \"Come on Up to the House\" expresses all of the original's bluesy swagger but tempers it with a more refined sense of Southern hospitality. - Allmusic.com\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. Song Up in Her Head (2:42)\u003cbr\u003e2. Edge of a Dream (3:42)\u003cbr\u003e3. Tell Me True (4:08)\u003cbr\u003e4. Mansinneedof (2:51)\u003cbr\u003e5. I Can't Love You Now (2:34)\u003cbr\u003e6. Broussard's Lament (3:35)\u003cbr\u003e7. Fischer Store Road (2:17)\u003cbr\u003e8. Left Home (3:24)\u003cbr\u003e9. Shankill Butchers (4:22)\u003cbr\u003e10. Can't Hide (3:11)\u003cbr\u003e11. Long Journey (5:17)\u003cbr\u003e12. Come on Up to the House (4:27)\u003cbr\u003e13. Little Song (2:48)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961609803,"sku":"015891404929","price":16.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/SongUpInHerHead-CD.png?v=1787759836"},{"product_id":"good-luck-with-whatever-cd","title":"Good Luck With Whatever - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAlbum Commentary from Taylor:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“As a songwriter, this album is a relinquishing of my codependence...Not concerning myself with things that I shouldn’t...witnessing life around me but trying to hold back judgement. It’s also about stepping more firmly into adulthood, even if a few years later than expected.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs a band, this album is a celebration of each other and our closeness as a group. It’s the 4 of us live in a room not hiding behind any sort of studio magic. This band has made us stronger and brought us closer through the years and we’re recognizing that and are more proud of that than ever.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFar from apathetic,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGood Luck With Whatever\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis Dawes at their most unapologetic. It’s sympathetic and magnetic, 50% genetic and highly kinetic. Songs like “Didn’t Fix Me” and “Me Especially” showcase Goldsmith’s poetic prowess perfectly; a historian of the human condition, transforming turmoil into motor oil. Drop the tone arm down, turn the volume up, unplug the phone and if you still feel nothing... call a doctor.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGood Luck With Whatever\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an unfiltered photograph of a band doing what they do best. A moment in the timeline of a 10 year old band who still possess the wonderment and fearlessness of a 10 year old man. These guys learned to rock before they could crawl and now it’s time to let em’ run. Ask any scientist and they’ll tell you one thing... you can’t fake chemistry.\u003c\/p\u003e\n\u003cp\u003eRecorded at the historic RCA studios in Nashville Tennessee, the boys teamed up with six time Grammy award winning producer Dave “Corn On The” Cobb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eStreet date:\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOctober 2nd, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e1. Still Feel Like a Kid (3:12)\u003cbr\u003e2. Good Luck With Whatever (4:45)\u003cbr\u003e3. Between the Zero and the One (4:50)\u003cbr\u003e4. None of My Business(4:04)\u003cbr\u003e5. St. Augustine at Night (5:13)\u003cbr\u003e6. Who Do You Think You're Talking To? (3:19)\u003cbr\u003e7. Didn't Fix Me (5:32)\u003cbr\u003e8. Free as We Wanna Be (3:16)\u003cbr\u003e9. Me Especially (5:44)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961642571,"sku":"888072184633","price":20.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/CD_53da5379-8f99-4f6c-ad79-5ab94cc9323b.png?v=1787759836"},{"product_id":"build-me-up-from-bones-cd-1","title":"Build Me Up From Bones - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe third full-length by 22-year-old Sarah Jarosz reflects not only her growth as a songwriter but her willingness to push the boundaries of country, folk, and Americana to discover connections not necessarily considered before. Build Me Up from Bones reflects years of study in contemporary voice improvisation at the New England Conservatory of Music. She wrote nine of the 11 songs here, and chose two covers: Bob Dylan's \"Simple Twist of Fate\" and Joanna Newsom's \"The Book of Right-On.\" Her various backing musicians include Viktor Krauss, Chris Thile, Darrell Scott, and Aiofe O'Donovan, to name a few. Jarosz plays guitar, banjo, and mandolins. \"Over the Edge,\" fueled by Dan Dugmore's lap steel, Jedd Hughes' acoustic guitar, and her own octave mandolin, walks a roots rock line, while the title track is a slipstream modern folk number that finds her voice accompanied by mandolin, two string players, and O'Donovan's harmony vocal. \"Dark Road\" drifts between electric Americana, newgrass, and contemporary folk, kissed by Jerry Douglas' dobro and Scott's electric guitar. What all of these songs have in common is a new openness in Jarosz's singing. She takes chances with her phrasing, allowing one line to bleed just enough to inform the next; she moves her smoky alto around its range, holding dynamics in check in favor of subtle tension. Her songs are looser, more expressionistic lyrically and instrumentally; sound and texture are more important than genre. Her reading of Dylan's tune is understated, yet reveals empathy for its narrative in its marrow; her vocal is accompanied only by Nathaniel Smith's plucked cello, revealing the intimate connection. The haunted love song \"Gone Too Soon\" is one of the most bracing tracks here; Jarosz's banjo is complemented by a full band that features Douglas' and Scott complimenting her on Weissenborn and acoustic guitars, respectively, with Kate Rusby's chilling harmony vocal offering support. The slippery, jazz-like take on Newsom's song finds Jarosz employing a breezy blues delivery in the lyric, while her syncopated mandolin playing engages in rhythmic interplay with cello and violin. O'Donovan rejoins her on closer \"Re-Arrange the Art,\" an expansive yet impressionistic song about lost love that walks the line between emotional stress, loneliness, and open acceptance. Jarosz's banjo is the only clearly discernible instrument as pedal steel, strings, and a Wurlizter swirl around the singers. Build Me Up from Bones separates itself from its promising predecessors because it is a songwriter's record. Jarosz lets her considerable instrumental prowess submit itself to serving the needs of her songs instead of merely adorning them with a precocious imagination. She can do this because she possesses not only self confidence in her material, but in her discernment, which is rare for a musician so young. - Thom Jurek (Allmusic.com)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003c\/p\u003e\n\u003cp\u003e1. Over The Edge (3:18)\u003cbr\u003e2. Fuel The Fire (3:34)\u003cbr\u003e3. Mile On The Moon (3:49)\u003cbr\u003e4. Build Me Up From Bones (3:36)\u003cbr\u003e5. Dark Road (3:31)\u003cbr\u003e6. Rearrange The Art (3:50)\u003cbr\u003e7. Simple Twist Of Fate (4:54)\u003cbr\u003e8. 1,000 Things (3:27)\u003cbr\u003e9. Gone Too Soon (3:35)\u003cbr\u003e10. Anything Else (4:55)\u003cbr\u003e11. The Book Of Right-On (5:38)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961675339,"sku":"015891409320","price":21.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/BuildMeUpFromBones-CD.png?v=1787759836"},{"product_id":"world-on-the-ground-black-vinyl","title":"World On The Ground - Black Vinyl Record","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eOn her latest full-length World On the Ground, Sarah Jarosz shares a collection of stories of her Texas hometown, each song lit up in her captivating voice and richly detailed songwriting. Throughout the album, the three-time Grammy Award-winner explores the tension and inertia of small-town living, the desire for escape and the ease of staying put. As she inhabits characters both real and imagined—many of them sensitive souls prone to aimless wandering and back-porch daydreaming—Jarosz reveals her remarkable gift for slipping into the inner lives of others and patiently uncovering so much indelible insight.\u003c\/p\u003e\n\u003cp\u003eThe follow-up to 2016’s two-time Grammy Award-winning Undercurrent, World On the Ground came to life in collaboration with producer\/songwriter John Leventhal: a five-time Grammy Award-winner known for his work with artists like Elvis Costello, Lucinda Williams, and his wife Rosanne Cash. Along with shaping the album’s spacious yet lushly textured sound, Leventhal played a vital part in Jarosz’s decision to center the album on her intricate storytelling.\u003c\/p\u003e\n\u003cp\u003e“The first time we met to talk about the record, John said he wanted me to try to take a step back and look out at the world in my songwriting, rather than looking inward,” says Jarosz. “It completely opened the gates for me, and I started thinking a lot about growing up in Texas and diving into those memories in a way I’d never really done before. I think it has something to do with being in my late 20s, and starting to enter the phase where I’m looking back at what got me to where I am now—as opposed to constantly looking forward, as you do when you’re younger. It felt like the right time for me to return full circle to my roots and my home.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. 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The bridge seems to be producer T-Bone Burnett and the band assembled for this outing: drummer Jay Bellerose (who seems to be the session drummer in demand these days), upright bassist Dennis Crouch, guitarists Marc Ribot and Burnett, with Greg Leisz playing steel here and there, and a number of other guest appearances. Krauss, a monster fiddle player, only does so on two songs here. The proceedings are, predictably, very laid-back. Burnett has only known one speed these last ten years, and so the material chosen by the three is mostly very subdued. This doesn't make it boring, despite Burnett's production, which has become utterly predictable since he started working with Gillian Welch. He has a \"sound\" in the same way Daniel Lanois does: it's edges are all rounded, everything is very warm, and it all sounds artificially dated. Sam Phillips' \"Sister Rosetta Goes Before Us\" is a centerpiece on this set. It has her fingerprints all over it. This tune, with its forlorn, percussion-heavy tarantella backdrop, might have come from a Tom Waits record were it not so intricately melodic -- and Krauss' gypsy swing fiddle is a gorgeous touch. There is an emptiness at the heart of longing particularly suited to Krauss' woodsy voice, and Plant's harmony vocal is perfect, understated yet ever-present. It's the most organically atmospheric tune on the set -- not in terms of production, but for lyric and compositional content. Stellar. - Thom Jurek (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Rich Woman (4:05)\u003cbr\u003e2. Killing the Blues (4:17)\u003cbr\u003e3. Sister Rosetta Goes Before Us (3:25)\u003cbr\u003e4. Polly Come Home (5:39)\u003cbr\u003e5. Gone Gone Gone (Done Moved On) (3:33)\u003cbr\u003e6. Through the Morning, Through the Night (4:02)\u003cbr\u003e7. Please Read the Letter (5:55)\u003cbr\u003e8. Trampled Rose (5:33)\u003cbr\u003e9. 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Mainly recorded at Blackbird Studio and featuring  such esteemed musicians as Jason Isbell, Jerry Douglas, and Punch Brothers guitarist Chris Eldridge, \u003cem\u003eHearts Town \u003c\/em\u003ewas produced by Michael and co-produced by Tanya and the duo's longtime music director Max Brown. And while the album unfailingly harnesses the thrilling vitality of their live set, each song spotlights The War And Treaty's heart-on-sleeve storytelling and poetic simplicity with greater impact than ever before.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e\u003cu\u003eStreet date:\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e September 25th\u003c\/span\u003e, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e1 Yearning 3:48\u003cbr\u003e2 Beautiful 3:45\u003cbr\u003e3 Five More Minutes 3:44\u003cbr\u003e4 Hearts Town 3:17\u003cbr\u003e5 Jubilee 2:23\u003cbr\u003e6 Hey Pretty Moon 4:10\u003cbr\u003e7 Jealousy 3:55\u003cbr\u003e8 Liquid Lies 4:11\u003cbr\u003e9 Lonely In My Grief 4:21\u003cbr\u003e10 Little Boy Blue 2:01\u003cbr\u003e11 Hustlin' 3:37\u003cbr\u003e12 Take Me In 3:48\u003cstrong\u003e\u003cu\u003e\u003cbr\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961773643,"sku":"THEWARANDTREATY-HEARTSTOWN-VINYL","price":41.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/WarAndTreaty_BlackVinyl_Packshot.jpg?v=1787759836"},{"product_id":"staring-down-the-brilliant-dream-cd","title":"Staring Down The Brilliant Dream - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eCo-produced with their soundman Brian Speiser, it's compiled from tours between 2006 and 2009. Their entire discography is represented in one way or another. Along the way, from Seattle to Chicago, from Yountville, CA to Lowell, MA to Knoxville, TN, these performances all have a presence that is immediate, kinetic, and committed. Hundreds of hours of tapes were gone through to find the best performances of these songs, many of which contain guest appearances, such as \"Closer to Fine\" with guest vocalists Jill Hennessy, Sean and Dominic Kelly, and Georgia rock legend Michelle Malone (Malone also appears on the set closer, a killer reading of the Rolling Stones' \"Wild Horses\"). The 2006 band featured all-star drummer Matt Chamberlain as well as Carol Isaacs on keyboards and bassist Clare Kenny. By 2008 it was often down to just Ray and Saliers with Julie Wolf on accordion or some other wonderfully illustrative instrument. What is ever-present here in this impeccably sequenced collection: passion. There isn't one track here that feels as if the Indigo Girls are going through the motions. Check \"I Believe in Love,\" \"What Are You Like,\" \"Watershed,\" \"Prince of Darkness,\" \"Fly Away,\" or the transcendent \"Love of Our Lives.\" Ultimately, it doesn't matter which cut you select or which disc; what makes the Indigo Girls so important to their fans is on display here in spades. - Thom Jurek (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003eRelease Date: 6\/29\/10\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003cbr\u003e1. Heartache For Everyone 3:19\u003cbr\u003e2. Closer To Fine 4:19\u003cbr\u003e3. Go 4:11\u003cbr\u003e4. Come On Home 4:40\u003cbr\u003e5. Devotion 3:23\u003cbr\u003e6. Cold Beer And Remote Control 3:52\u003cbr\u003e7. Moment Of Forgiveness 3:13\u003cbr\u003e8. Fill It Up Again 3:46\u003cbr\u003e9. Sugar Tongue 3:44\u003cbr\u003e10. Fly Away 3:20\u003cbr\u003e11. Ozilline 4:15\u003cbr\u003e12. Don't Think Twice, It's All Right 3:21\u003cbr\u003e13. Kid Fears 4:22\u003cbr\u003e14. Watershed 4:49\u003cbr\u003e15. Shame On You 4:34\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961806411,"sku":"015707806923","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/IndigoGirls_StaringDown_CD.png?v=1787759836"},{"product_id":"kill-or-be-kind-black-vinyl","title":"Kill Or Be Kind - Black Vinyl Record","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eSamantha Fish’s prodigious gifts as a genre-bending singer, songwriter, and electrifying guitarist have inspired tremendous acclaim from critics and her peers and have earned an abundance of awards for the young artist. Now, with Kill or Be Kind, Fish is poised for a major breakthrough. The edgy roots music album was recorded at Royal Studios in Memphis and produced by three-time Grammy winner Scott Billington and mixed by two-time Grammy winner Steve Reynolds. Boasting 11 original songs ranging from the Mississippi technostomp of “Bulletproof” (played on cigar box guitar) to the sweet Memphis R\u0026amp;B of “Trying Not To Fall in Love With You,” the album features co-writes with Jim McCormack, Eric McFadden, Parker Millsap, Katie Pearlman, and Patrick Sweany and is sure to establish Fish as a potent force in roots music.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Bulletproof (Tangle Eye Mix)\u003cbr\u003e2. Kill or Be Kind\u003cbr\u003e3. Love Letters\u003cbr\u003e4. Watch it Die\u003cbr\u003e5. Trying Not to Fall in Love with You\u003cbr\u003e6. Fair-weather\u003cbr\u003e7. Love Your Lies\u003cbr\u003e8. Dream Girl\u003cbr\u003e9. She Don't Live Around Here\u003cbr\u003e10. Dirty\u003cbr\u003e11. You Got It Bad\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961871947,"sku":"888072100459","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/samantha-transparentvinyl.png?v=1787759836"},{"product_id":"paper-airplane-cd","title":"Paper Airplane - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAnyone who's paid attention to Alison Krauss' musical career, with and without Union Station, had to wonder what would happen after the unprecedented success of 2007's Raising Sand, her collaboration with Robert Plant. For her, the next logical move was to reunite with US, who had been dormant since 2004's Lonely Runs Both Ways and whose members all had busy solo careers. Given the long layoff, Paper Airplane was produced by US and engineered and mixed by Mike Shipley. According to Krauss, it was harder to complete than any previous album. Thankfully, it doesn't sound like it. It is a melancholy record, its songs largely revolve around themes of trial and perseverance. The title track that opens the record is a lilting country ballad written by Robert Lee Castleman and informed by Krauss' own recent life experiences. Her vocal is wrenching; it's utterly vulnerable in expressing love's loss, yet it's steely in its resolve, recognizing an eventual emergence. Peter Rowan's minor-key bluegrass stomper \"Dust Bowl Children\" features Dan Tyminski's trademark vocal. It's angry, bewildered, and determined. The interplay between Ron Block's banjo, Barry Bales' driving bassline, and Jerry Douglas' dobro is earthy, lean, and mean. Brother Viktor Krauss and Angel Snow contributed \"Lie Awake,\" a spooky, broken love song full of swooping dobro and Krauss' forlorn fiddle. Only US could empathically back her searching, desperate vocal. Paper Airplane is sequenced beautifully. The reading of Richard Thompson's \"Dimming of the Day\" is the hinge piece on the record (and rivals the title track for the best thing here). This is Krauss' finest vocal performance this time out; it's devastating in expressing raw need, loss, and emptiness from a protagonist in the middle of a time of trial. Sidney Cox's \"Bonita and Bill Butler\" is a banjo-driven seafaring tragedy sung exquisitely by Tyminski before Paper Airplane closes with a stellar cover of Jackson Browne's \"My Opening Farewell,\" which brings the album full circle, leaving the listener to meditate upon life's many episodes. Krauss' version wrings more sheer acceptance from the lyrics than Browne's own does. Paper Airplane is very polished -- pristine, even -- but there isn't an extra thing on it. It feels organic and authentic, allowing plenty of room for the emotional power in these songs to come forth. Union Station proves once more that it is a contemporary bluegrass outfit that makes no concession to contemporary country music. - Thom Jurek (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Paper Airplane (3:37)\u003cbr\u003e2. Dust Bowl Children (3:07)\u003cbr\u003e3. Lie Awake (3:56)\u003cbr\u003e4. Lay My Burden Down (3:52)\u003cbr\u003e5. My Love Follows You Where You Go (4:04)\u003cbr\u003e6. Dimming Of The Day (5:20)\u003cbr\u003e7. On The Outside Looking In (3:36)\u003cbr\u003e8. Miles To Go (2:54)\u003cbr\u003e9. Sinking Stone (4:43)\u003cbr\u003e10. Bonita And Bill Butler (4:03)\u003cbr\u003e11. My Opening Farewell (4:09)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961839179,"sku":"011661066526","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/Untitled-2.png?v=1787759836"},{"product_id":"low-country-blues-cd","title":"Low Country Blues - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eFor Low Country Blues Allman joins forces with roots producer to the stars T-Bone Burnett. The duo choose 11 relatively obscure covers from classic artists such as Bobby \"Blue\" Bland, Junior Wells, and B.B. King that have clearly influenced Allman's musical approach. The backing is organic but far from stripped-down with horns, multiple guitars, and even background vocalists supporting the singer's patented crusty growl. From the opening raw thump of the ominous Sleepy John Estes' \"Floating Bridge\" to a peppy yet intense take on Muddy Waters' \"I Can't be Satisfied\" and a fiery reworking of Magic Sam's \"My Love Is Your Love,\" Allman sounds invested and inspired by this material and his musical surroundings. - Hal Horowitz (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Floating Bridge (4:45)\u003cbr\u003e2. Little by Little (2:45)\u003cbr\u003e3. Devil Got My Woman (4:52)\u003cbr\u003e4. I Can't Be Satisfied (3:31)\u003cbr\u003e5. Blind Man (3:46)\u003cbr\u003e6. Just Another Rider (5:39)\u003cbr\u003e7. Please Accept My Love (3:07)\u003cbr\u003e8. I Believe I'll Go Back Home (3:49)\u003cbr\u003e9. Tears, Tears, Tears (4:54)\u003cbr\u003e10. My Love Is Your Love (4:14)\u003cbr\u003e11. Checking on My Baby (4:06)\u003cbr\u003e12. Rolling Stone (7:04)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961904715,"sku":"011661221529","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/GreggAllmanLowCountry-CDexit.jpg?v=1787759837"},{"product_id":"wary-strange-black-vinyl","title":"Wary + Strange - Black Vinyl Record","description":"\u003cp\u003eThe Rounder Records debut from Amythyst Kiah, Wary + Strange marks the glorious collision of two vastly different worlds: the iconoclastic alt-rock that first sparked her musical passion, and the roots\/old-time-music scene where she’s found breakout success in recent years. Produced by Tony Berg (Phoebe Bridgers, Amos Lee, Andrew Bird) and made with esteemed musicians like Blake Mills, Wary + Strange arrives as a deeply immersive body of work, endlessly redefining the limits of roots music in its inventive rhythms and textures.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACK LIST:\u003cbr data-mce-fragment=\"1\"\u003e1. Soapbox\u003cbr data-mce-fragment=\"1\"\u003e2. Black Myself\u003cbr data-mce-fragment=\"1\"\u003e3. Wild Turkey\u003cbr data-mce-fragment=\"1\"\u003e4. Hangover Blues\u003cbr data-mce-fragment=\"1\"\u003e5. Fancy Drones (Fracture Me)\u003cbr data-mce-fragment=\"1\"\u003e6. Firewater\u003cbr data-mce-fragment=\"1\"\u003e7. Tender Organs\u003cbr data-mce-fragment=\"1\"\u003e8. Ballad Of Lost\u003cbr data-mce-fragment=\"1\"\u003e9. Sleeping Queen\u003cbr data-mce-fragment=\"1\"\u003e10. Opaque\u003cbr data-mce-fragment=\"1\"\u003e11. Soapbox Reprise\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961937483,"sku":"888072226616","price":28.94,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/blackrecord-cc.png?v=1787759839"},{"product_id":"just-like-leaving-cd","title":"Just Like Leaving - Music CD","description":"\u003cp\u003eJust Like Leaving was produced by fiddle player Patrick M’Gonigle (The Lonely Heartstring Band), and recorded and mixed by Grammy-winning engineer Dave Sinkonco at Gilford Sound Studios in Vermont. White’s frequent collaborators Reed Stutz (Mandolin, harmony vocals), Julian Pinnelli (Fiddle, harmony vocals), and Alan Mackie (Bass) create a weaving, textured landscape from which White’s no-nonsense voice takes off. White sights The Stanley Brother’s as one of her biggest vocal influences, and her love of harmony singing is on full display throughout the album, especially in the gorgeous vocal blend she shares with Stutz. “Singing with Reed is one of my very favorite things in the world, and I’m so glad that was a part of this project” she says.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Just Like Leaving was produced by fiddle player Patrick M’Gonigle (The Lonely Heartstring Band), and recorded and mixed by Grammy-winning engineer Dave Sinkonco at Gilford Sound Studios in Vermont.  White’s frequent collaborators Reed Stutz (Mandolin, harmony vocals), Julian Pinnelli (Fiddle, harmony vocals), and Alan Mackie (Bass) create a weaving, textured landscape from which White’s no-nonsense voice takes off.  White sights The Stanley Brother’s as one of her biggest vocal influences, and her love of harmony singing is on full display throughout the album, especially in the gorgeous vocal blend she shares with Stutz.  “Singing with Reed is one of my very favorite things in the world, and I’m so glad that was a part of this project” she says. \\nWith her new album Just Like Leaving, White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table.  Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. — Rachel Baiman\\nTRACK LIST:\\n1. Gutted (4:06)\\n2. Not To Blame (2:55)\\n3. Do You Think About Me At All (3:16)\\n4. Just Like Leaving (3:26)\\n5. The Hand Of Your Raising (2:40)\\n6. Just Unwanted (3:13)\\n7. Broke (When I Realized) (3:38)\\n8. All I Gave To You (3:28)\\n9. Now She Knows What It Feels Like (2:36)\\n\"}'\u003eWith her new album Just Like Leaving, White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table. Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. — Rachel Baiman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Just Like Leaving was produced by fiddle player Patrick M’Gonigle (The Lonely Heartstring Band), and recorded and mixed by Grammy-winning engineer Dave Sinkonco at Gilford Sound Studios in Vermont.  White’s frequent collaborators Reed Stutz (Mandolin, harmony vocals), Julian Pinnelli (Fiddle, harmony vocals), and Alan Mackie (Bass) create a weaving, textured landscape from which White’s no-nonsense voice takes off.  White sights The Stanley Brother’s as one of her biggest vocal influences, and her love of harmony singing is on full display throughout the album, especially in the gorgeous vocal blend she shares with Stutz.  “Singing with Reed is one of my very favorite things in the world, and I’m so glad that was a part of this project” she says. \\nWith her new album Just Like Leaving, White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table.  Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. — Rachel Baiman\\nTRACK LIST:\\n1. Gutted (4:06)\\n2. Not To Blame (2:55)\\n3. Do You Think About Me At All (3:16)\\n4. Just Like Leaving (3:26)\\n5. The Hand Of Your Raising (2:40)\\n6. Just Unwanted (3:13)\\n7. Broke (When I Realized) (3:38)\\n8. All I Gave To You (3:28)\\n9. Now She Knows What It Feels Like (2:36)\\n\"}'\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACK LIST:\u003cbr data-mce-fragment=\"1\"\u003e1. Gutted (4:06)\u003cbr data-mce-fragment=\"1\"\u003e2. Not To Blame (2:55)\u003cbr data-mce-fragment=\"1\"\u003e3. Do You Think About Me At All (3:16)\u003cbr data-mce-fragment=\"1\"\u003e4. Just Like Leaving (3:26)\u003cbr data-mce-fragment=\"1\"\u003e5. The Hand Of Your Raising (2:40)\u003cbr data-mce-fragment=\"1\"\u003e6. Just Unwanted (3:13)\u003cbr data-mce-fragment=\"1\"\u003e7. Broke (When I Realized) (3:38)\u003cbr data-mce-fragment=\"1\"\u003e8. All I Gave To You (3:28)\u003cbr data-mce-fragment=\"1\"\u003e9. Now She Knows What It Feels Like (2:36)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072961970251,"sku":"195079702181","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/p_f49609d2-fe54-4026-89bb-d8d602111020.png?v=1787759840"},{"product_id":"out-of-the-blues-cd","title":"Out of the Blues - Music CD","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePRODUCT DESCRIPTION\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e- Out of the Blues CD\u003c\/p\u003e\n\u003cp\u003eFor the occasion, Scaggs assembled a star-studded studio band including such prestigious players as guitarists Doyle Bramhall II, Ray Parker Jr. and Charlie Sexton, bassist Willie Weeks, drummer Jim Keltner and keyboardist Jim Cox, as well as Boz himself on guitar, bass and vocoder, and longtime friend Jack Walroth on harmonica.\u003c\/p\u003e\n\u003cp\u003eOut of the Blues also features four songs written or co-written by Scaggs' longtime friend and kindred musical spirit Jack Walroth, a left-of-center bluesman who Scaggs met in the '60s, when both lived in Madison, Wisconsin, and who relocated to San Francisco at around the same time as Scaggs.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Rock and Stick\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. I’ve Just Got to Forget You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. I’ve Just Got To Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Radiator 110\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Little Miss Night and Day\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. On The Beach\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Down In Virginia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Those Lies\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. The Feeling Is Gone\u003c\/span\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962003019,"sku":"BOZSCAGGS-OUTOFTHEBLUE-CD","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/BOZ_SKAGS_CD_REV__002.jpg?v=1787759841"},{"product_id":"depreciated-cd","title":"Depreciated - Music CD","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePRODUCT DESCRIPTION\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eDepreciated is a collection of eleven gems that take us to John R. Miller’s home place even while exploring the way we can't go home again, no matter how much we might ache for it. On the album, Miller says he was eager to combine elements of country, blues, and rock to make his own sound. He wanted Depreciated to conjure references to recently lost heroes like Prine, Walker, and Shaver without sounding derivative. Miller has certainly achieved his own sound here with an album that is almost novelistic in its journey not only to the complicated relationship Miller has with the Shenandoah Valley but also into the mind of someone going through transitions. \u003cbr\u003e\u003cbr\u003eTRACK LIST:\u003cbr\u003e1 Lookin' Over My Shoulder \u003cbr\u003e2 Borrowed Time \u003cbr\u003e3 Faustina \u003cbr\u003e4 Shenandoah Shakedown \u003cbr\u003e5 Coming Down \u003cbr\u003e6 Old Dance Floor \u003cbr\u003e7 Motor’s Fried \u003cbr\u003e8 Back and Forth \u003cbr\u003e9 What’s Left of the Valley \u003cbr\u003e10 Half Ton Van \u003cbr\u003e11 Fire Dancer\u003cstrong\u003e\u003cspan data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":0,\"12\":0,\"14\":[null,2,0],\"15\":\"Arial\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Depreciated is a collection of eleven gems that take us to John R. Miller’s home place even while exploring the way we can't go home again, no matter how much we might ache for it. On the album, Miller says he was eager to combine elements of country, blues, and rock to make his own sound. He wanted Depreciated to conjure references to recently lost heroes like Prine, Walker, and Shaver without sounding derivative. Miller has certainly achieved his own sound here with an album that is almost novelistic in its journey not only to the complicated relationship Miller has with the Shenandoah Valley but also into the mind of someone going through transitions. \\n\\nTRACK LIST:\\n1 Lookin' Over My Shoulder  \\n2 Borrowed Time \\n3 Faustina \\n4 Shenandoah Shakedown \\n5 Coming Down \\n6 Old Dance Floor \\n7 Motor’s Fried  \\n8 Back and Forth \\n9 What’s Left of the Valley \\n10 Half Ton Van \\n11 Fire Dancer  \\n\u0026quot;}\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962035787,"sku":"888072233478","price":26.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/p_7d1ab9e5-83bb-4408-9826-b921edf56dbb.png?v=1787759841"},{"product_id":"expectations-cd-2","title":"Expectations - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eA coming of age album that pulls from pop, Americana, rock, and folk,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eExpectations\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a daring statement tackling topics of religion, mental health, and modern love. Katie Pruitt’s Rounder debut delivers messages of resilience and the idea of embracing what makes you unique. Produced by Katie Pruitt and Michael Robinson\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eExpectations\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeatures 10 original songs, that are both uplifting and insightful.\u003c\/p\u003e\n\u003cp\u003eLike generations of artistic pilgrims before her, Katie Pruitt is a Nashville transplant from outside Athens, Georgia. Taking the leap from the solitary space of writing in her bedroom to jumping in with Music City creatives always takes grit, which Pruitt has in spades. Katie’s powerhouse vocals \u0026amp; poignant songwriting combine into a compelling, raw, \u0026amp; powerful artist whose musical style evokes the likes of Brandi Carlile, Bonnie Raitt, and Ani DiFranco, with a bit of Harper Lee thrown in for good measure. Her passionate delivery and powerful message are the reason her name has graced the bills of festivals such as Americana, 420 Fest, Pilgrimage, and sold out shows across the US and internationally.\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eRELEASE DATE:\u003c\/u\u003e\u003cbr\u003eFeb 21st, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eTRACK LISTING:\u003c\/u\u003e\u003cbr\u003e1. Wishful Thinking\u003cbr\u003e2. My Mind’s a Ship That’s Going Down\u003cbr\u003e3.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eExpectations\u003c\/em\u003e\u003cbr\u003e4. Out of The Blue\u003cbr\u003e5. Normal\u003cbr\u003e6. Grace Has A Gun\u003cbr\u003e7. Searching For The Truth\u003cbr\u003e8. Georgia\u003cbr\u003e9. Loving Her\u003cbr\u003e10. It’s Always Been You\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Unsigned","offer_id":43072962297931,"sku":"888072100497","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":43072962330699,"sku":"KATIEPRUITT-EXPECTATIONS-CD-SIGNED","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/Katie_Pruitt_CD_exit.png?v=1787759842"},{"product_id":"somehow-cd","title":"Somehow - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSomehow, Caroline’s debut album - originally released in 2015.\u003cbr\u003e“Spence boasts a beautiful, often breathy alto somewhere between Emmylou Harris, Tift Merritt and Lindi Ortega, perfect for the exquisite, introspective ballads that dominate the disc….Ballads like the gorgeous, yearning title track, are wonderfully written with descriptive, sharply observed lyrics and sung with confidence, sensitivity and sweet yet hard bitten vocals rare for an artist’s first album.”- American Songwriter\u003c\/p\u003e\n\u003cp\u003eTRACK LIST\u003c\/p\u003e\n\u003cp\u003e1. Trains Cry (3:40)\u003cbr\u003e2. Don't Call (4:19)\u003cbr\u003e3. Hello Tomorrow (3:54)\u003cbr\u003e4. One Man (4:30)\u003cbr\u003e5. Whiskey Watered Down (3:38)\u003cbr\u003e6. Hard Headed, Hard Hearted (2:40)\u003cbr\u003e7. Somehow (3:54)\u003cbr\u003e8. Last Call (4:08)\u003cbr\u003e9. One Little Song (3:05)\u003cbr\u003e10. Fault Lines (3:38)\u003cbr\u003e11. Kissing Ain't The Same As Talking (3:11)\u003cbr\u003e12. Seeing Other People (3:20)\u003cbr\u003e13. Bless Your Heart (2:55)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962363467,"sku":"888072100183","price":17.54,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/Caroline_Spence_Somehow_CD.png?v=1787759842"},{"product_id":"wary-strange-cd","title":"Wary + Strange - Music CD","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eThe Rounder Records debut from Amythyst Kiah, Wary + Strange marks the glorious collision of two vastly different worlds: the iconoclastic alt-rock that first sparked her musical passion, and the roots\/old-time-music scene where she’s found breakout success in recent years. Produced by Tony Berg (Phoebe Bridgers, Amos Lee, Andrew Bird) and made with esteemed musicians like Blake Mills, Wary + Strange arrives as a deeply immersive body of work, endlessly redefining the limits of roots music in its inventive rhythms and textures. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr data-mce-fragment=\"1\"\u003e1. Soapbox \u003cbr data-mce-fragment=\"1\"\u003e2. Black Myself \u003cbr data-mce-fragment=\"1\"\u003e3. Wild Turkey \u003cbr data-mce-fragment=\"1\"\u003e4. Hangover Blues \u003cbr data-mce-fragment=\"1\"\u003e5. Fancy Drones (Fracture Me) \u003cbr data-mce-fragment=\"1\"\u003e6. Firewater \u003cbr data-mce-fragment=\"1\"\u003e7. Tender Organs \u003cbr data-mce-fragment=\"1\"\u003e8. Ballad Of Lost \u003cbr data-mce-fragment=\"1\"\u003e9. Sleeping Queen \u003cbr data-mce-fragment=\"1\"\u003e10. Opaque \u003cbr data-mce-fragment=\"1\"\u003e11. Soapbox Reprise \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962396235,"sku":"888072226609","price":18.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/p_142d022a-e04e-4738-9406-e64071785221.png?v=1787759842"},{"product_id":"home-black-vinyl-2lp","title":"Home - Black Vinyl Record 2LP","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eBilly Strings has been hailed as the future of bluegrass, transcending tradition and genre with his high velocity, flat-picking guitar technique and intense, confessional songwriting.\u003cbr\u003eHOME is undoubtedly the Michigan-born, Nashville-based artist’s bravest excursion thus far, reshaping bluegrass into his own exceptional form, completely rewiring the aesthetic with elements of punk, country, folk rock, and genuine psychedelic exploration to fashion something altogether original and all his own.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Taking Water (4:12)\u003cbr\u003e2. Must Be Seven (3:28)\u003cbr\u003e3. Running (3:01)\u003cbr\u003e4. Away From The Mire (7:46)\u003cbr\u003e5. Home (7:40)\u003cbr\u003e6. Watch It Fall (4:43)\u003cbr\u003e7. Long Forgotten Dream (4:31)\u003cbr\u003e8. Highway Hypnosis (5:10)\u003cbr\u003e9. Enough To Leave (3:44)\u003cbr\u003e10. Hollow Heart (2:48)\u003cbr\u003e11. Love Like Me (2:56)\u003cbr\u003e12. Everything’s The Same (2:58)\u003cbr\u003e13. Guitar Peace (4:07)\u003cbr\u003e14. Freedom (2:37)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962429003,"sku":"888072116733","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/4656_1.jpg?v=1787759843"},{"product_id":"new-favorite-cd","title":"New Favorite - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAt 30, Alison Krauss has already spent half her life as arguably contemporary bluegrass' biggest name, selling millions even as she shook up audience expectations with slick forays into modern country and adult pop. Though Krauss periodically sheds her backing band to release emotive solo country albums like 1999's Forget About It, her best material continues to feature the outstanding players in Union Station, who return on New Favorite. The traditionalism of much of the group's past work—including that on the O Brother, Where Art Thou? soundtrack, for which Union Station guitarist and singer Dan Tyminski provided all the George Clooney parts—is left mostly to the sidelines, however. With the exception of a breezy instrumental (\"Choctaw Hayride\") and an overlong bit of Tyminski cornpone (\"The Boy Who Wouldn't Hoe Corn\"), New Favorite is dominated by austere, contemporary-sounding compositions that only sound jarringly old-fashioned compared to the '80s-rock cheese that passes for today's country music. But, while Krauss and company may alienate a few purists, they know that purists were made to be alienated, and New Favorite seems geared toward a huge crowd. It does just fine in that regard, passing the spotlight liberally (albeit mostly between Krauss and Tyminski this time) while periodically coming back around to pretty, chart-friendly ballads like \"The Lucky One,\" \"I'm Gone,\" \"Stars,\" and the title track. One of the few creatively adventurous singers to maintain a presence on country radio, Krauss continues to subtly press the boundaries of her sound, but it's hard to imagine anything on New Favorite alienating the masses. - Stephen Thompson (AVClub.com)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. Let Me Touch You for Awhile (3:21)\u003cbr\u003e2. The Boy Who Wouldn't Hoe Corn (4:40)\u003cbr\u003e3. The Lucky One (3:10)\u003cbr\u003e4. Choctaw Hayride (3:10)\u003cbr\u003e5. Crazy Faith (3:47)\u003cbr\u003e6. Momma Cried (3:20)\u003cbr\u003e7. I'm Gone (3:28)\u003cbr\u003e8. Daylight (4:03)\u003cbr\u003e9. Bright Sunny South (3:00)\u003cbr\u003e10. Stars (2:54)\u003cbr\u003e11. 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Pairing melodies with poignant and unsettlingly personal lyricism, the need for connection lies at the heart of So that you might hear me.\u003cbr\u003eOf So that you might hear me, band members Andrew Davie (lead vocals, guitar) and Kevin Jones (vocals, drums, bass, guitar) explains, “The album started out as an attempt at trying to communicate with someone honestly. Our thoughts are not all rational, not all considered or tied up with ribbons and bows. This album is an attempt to reveal the honest and difficult challenge of communicating with anyone that you really care about.”\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Hiding Bottles (4:05)\u003cbr\u003e2. Fossils (3:57)\u003cbr\u003e3. Fuel On The Fire (3:54)\u003cbr\u003e4. Breaker\/Keeper (4:31)\u003cbr\u003e5. Not Every River (1:55)\u003cbr\u003e6. Laurel Wreath (4:33)\u003cbr\u003e7. Crow (4:56)\u003cbr\u003e8. Conversations With Ghosts (4:08)\u003cbr\u003e9. 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Jarosz premiered the piece at the 2017 FreshGrass Festival at Mass MoCa in North Adams, MA. The commission proved to be an exciting musical challenge for Jarosz, and she ended up with a song cycle inspired by the frequent trips she and her parents made to Port Aransas, a small town on the Gulf Coast of Texas, a few hours from her hometown of Wimberley. 2017 had proven to be an emotional year for Jarosz — her mother had been diagnosed with breast cancer and the town of Port Aransas was severely impacted by Hurricane Harvey. Those two events caused Jarosz to think back to the early morning walks she and her mom would take along Mustang Island beach, and the Great Blue Herons they observed along the shore. The birds came to be a symbol of hope for her family during a difficult time, and they continue to remind her of family and home. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThankfully, her mom is now in remission and Port Aransas is on the mend, but for Jarosz, Blue Heron Suite still encapsulates many of the feelings associated with that time and “serves as a quiet acknowledgment of life’s many uncertainties… and that you can always work to try to face the highs and lows with grace and strength.” Blue Heron Suite was recorded December 17-21, 2018 at Reservoir Studios in New York City. 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But while Kelly recounts that journey with an unvarnished honesty, his grace and conviction as an artist ultimately turn\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eShape \u0026amp; Destroy\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003einto a work of unlikely transcendence.\u003c\/p\u003e\n\u003cp\u003eWith its unsparing reflection on what Kelly refers to as “the cycle of frustration and temptation after getting clean,”\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eShape \u0026amp; Destroy\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etook form during a period of painful transformation. “It wasn’t surprising to me that getting sober was a challenge, but there were moments when it was challenging in a way I’d never experienced before,” Kelly says. “There’s so much repair your brain has to do—spiritually, emotionally, physically—and at one point I really felt like I was losing my mind.”\u003c\/p\u003e\n\u003cp\u003eAs a means of self-preservation and catharsis, Kelly eventually turned to the ritual of free writing, a practice that led him to the album’s title. “This phrase just came to me one day: ‘Shape the life you want by destroying what obstructs the soul,’” he recalls. “I realized that was the ticket to healing myself and healing my mind: figuring out what kind of person I want to become, and then getting rid of everything that keeps me from being that person.”\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eSTREET DATE:\u003c\/strong\u003e\u003c\/u\u003e\u003cspan\u003e \u003c\/span\u003eAugust 28, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eTRACK LIST:\u003c\/strong\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn The Blue\u003c\/li\u003e\n\u003cli\u003eRadio Cloud\u003c\/li\u003e\n\u003cli\u003eAlive\u003c\/li\u003e\n\u003cli\u003eChanges\u003c\/li\u003e\n\u003cli\u003eMid Morning Lament\u003c\/li\u003e\n\u003cli\u003eBrave\u003c\/li\u003e\n\u003cli\u003eClean\u003c\/li\u003e\n\u003cli\u003eJubilee\u003c\/li\u003e\n\u003cli\u003eClosest Thing\u003c\/li\u003e\n\u003cli\u003eRubber\u003c\/li\u003e\n\u003cli\u003ePressure\u003c\/li\u003e\n\u003cli\u003eUnder The Sun\u003c\/li\u003e\n\u003cli\u003eHallelujah Anyway\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962625611,"sku":"888072169593","price":14.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/shape_and_destroy_CD.png?v=1787759844"},{"product_id":"depreciated-black-vinyl","title":"Depreciated - Black Vinyl Record","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePRODUCT DESCRIPTION\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eDepreciated\u003c\/em\u003e is a collection of eleven gems that take us to John R. Miller’s home place even while exploring the way we can't go home again, no matter how much we might ache for it. On the album, Miller says he was eager to combine elements of country, blues, and rock to make his own sound. He wanted \u003cem\u003eDepreciated\u003c\/em\u003e to conjure references to recently lost heroes like Prine, Walker, and Shaver without sounding derivative. Miller has certainly achieved his own sound here with an album that is almost novelistic in its journey not only to the complicated relationship Miller has with the Shenandoah Valley but also into the mind of someone going through transitions. \u003c\/p\u003e\n\u003cp\u003e TRACK LIST:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Lookin' Over My Shoulder\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e2. Borrowed Time\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e3. Faustina\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e4. Shenandoah Shakedown\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e5. Coming Down\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e1. Old Dance Floor\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e2. Motor’s Fried\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e3. Back and Forth\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e4. What’s Left of the Valley\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e5. Half Ton Van\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003e6. Fire Dancer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Depreciated is a collection of eleven gems that take us to John R. Miller’s home place even while exploring the way we can't go home again, no matter how much we might ache for it. On the album, Miller says he was eager to combine elements of country, blues, and rock to make his own sound. He wanted Depreciated to conjure references to recently lost heroes like Prine, Walker, and Shaver without sounding derivative. Miller has certainly achieved his own sound here with an album that is almost novelistic in its journey not only to the complicated relationship Miller has with the Shenandoah Valley but also into the mind of someone going through transitions. \\n\\nTRACK LIST:\\n1 Lookin' Over My Shoulder  \\n2 Borrowed Time \\n3 Faustina \\n4 Shenandoah Shakedown \\n5 Coming Down \\n6 Old Dance Floor \\n7 Motor’s Fried  \\n8 Back and Forth \\n9 What’s Left of the Valley \\n10 Half Ton Van \\n11 Fire Dancer  \\n\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":0,\"12\":0,\"14\":[null,2,0],\"15\":\"Arial\",\"16\":11}'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962658379,"sku":"888072233485","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/JRM-Black-Mockup.png?v=1787759844"},{"product_id":"i-know-who-holds-tomorrow-cd-1","title":"I Know Who Holds Tomorrow - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Cox Family from Louisiana comprises father Willard, son Sidney, and daughters Evelyn, Lynn and Suzanne. Alison Krauss was a fan of Sidney Cox’s songwriting, and had recorded several of his songs on her first few Rounder albums. She also admired the beautiful voices and harmonies of his sisters, and the family band’s debut album on Rounder Records in 1993 (Everybody’s Reaching Out For Someone) was Alison’s first venture into producing other artists.\u003cbr\u003eThe following year Alison collaborated with the family for a gospel album, I Know Who Holds Tomorrow. Perhaps surprisingly, it remains Alison’s only full album of religious material, although she has recorded many individual songs. Stylistically it’s acoustic country with bluegrass instruments subtly augmented by drums, piano and steel guitar, all tastefully played and arranged.The album won a well-deserved Grammy and I would recommend it to any fan of Alison Krauss- she is part of an ensemble here, but the Cox women have heavenly voices to match hers, and the album as a whole is as close to perfect as I can imagine. - MyKindOfCountry.com\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. Walk over God's Heaven (2:57)\u003cbr\u003e2. Will There Be Any Stars? (3:12)\u003cbr\u003e3. Where No One Stands Alone (3:00)\u003cbr\u003e4. Never Will Give Up (3:42)\u003cbr\u003e5. Remind Me, Dear Lord (3:25)\u003cbr\u003e6. I Know Who Holds Tomorrow (5:03)\u003cbr\u003e7. Everybody Wants to Go to Heaven (2:47)\u003cbr\u003e8. I'd Rather Have Jesus (3:17)\u003cbr\u003e9. Far Side Bank of Jordan (3:22)\u003cbr\u003e10. In the Palm of Your Hand (3:24)\u003cbr\u003e11. Loves Me Like a Rock (3:03)\u003cbr\u003e12. Jewels (2:56)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962691147,"sku":"011661030725","price":16.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/AK_I_Know_Who_Holds_Tomorrow_CDexit_0c5cb344-5d79-444e-971b-08279b784668.png?v=1787759844"},{"product_id":"home-cd-9","title":"Home - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eBilly Strings has been hailed as the future of bluegrass, transcending tradition and genre with his high velocity, flat-picking guitar technique and intense, confessional songwriting.\u003cbr\u003eHOME is undoubtedly the Michigan-born, Nashville-based artist’s bravest excursion thus far, reshaping bluegrass into his own exceptional form, completely rewiring the aesthetic with elements of punk, country, folk rock, and genuine psychedelic exploration to fashion something altogether original and all his own.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Taking Water (4:12)\u003cbr\u003e2. Must Be Seven (3:28)\u003cbr\u003e3. Running (3:01)\u003cbr\u003e4. Away From The Mire (7:46)\u003cbr\u003e5. Home (7:40)\u003cbr\u003e6. Watch It Fall (4:43)\u003cbr\u003e7. Long Forgotten Dream (4:31)\u003cbr\u003e8. Highway Hypnosis (5:10)\u003cbr\u003e9. Enough To Leave (3:44)\u003cbr\u003e10. Hollow Heart (2:48)\u003cbr\u003e11. Love Like Me (2:56)\u003cbr\u003e12. Everything’s The Same (2:58)\u003cbr\u003e13. Guitar Peace (4:07)\u003cbr\u003e14. Freedom (2:37)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962723915,"sku":"888072116740","price":26.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/Untitled-5.png?v=1787759844"},{"product_id":"undercurrent-black-vinyl","title":"Undercurrent - Black Vinyl Record","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eOn Sarah Jarosz’s fourth album, Undercurrent, the impact of being a full-time artist living in New York City is palpable. A gifted instrumentalist, singularly expressive vocalist and songwriter of rare insight, Jarosz anchors her new record with a haunting quartet of songs written and performed solo—\"Early Morning Light,\" \"Everything to Hide,\" \"Take Another Turn\" and \"Jacqueline.\" She expands her palate from the swampy defiance of “House of Mercy” to the nostalgic “Back of My Mind.” Undercurrent captures the process of personal evolution and discovery as well as the inspirational nature of change.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003c\/p\u003e\n\u003cp\u003e1. Early Morning Light (2:36)\u003cbr\u003e2. Green Lights (3:35)\u003cbr\u003e3. House of Mercy (4:38)\u003cbr\u003e4. Everything to Hide (3:24)\u003cbr\u003e5. Back of My Mind (3:38)\u003cbr\u003e6. Comin' Undone (3:01)\u003cbr\u003e7. Take Another Turn (2:34)\u003cbr\u003e8. Lost Dog (3:39)\u003cbr\u003e9. Take Me Back (2:34)\u003cbr\u003e10. Still Life (2:54)\u003cbr\u003e11. 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White sights The Stanley Brother’s as one of her biggest vocal influences, and her love of harmony singing is on full display throughout the album, especially in the gorgeous vocal blend she shares with Stutz. “Singing with Reed is one of my very favorite things in the world, and I’m so glad that was a part of this project” she says.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Just Like Leaving was produced by fiddle player Patrick M’Gonigle (The Lonely Heartstring Band), and recorded and mixed by Grammy-winning engineer Dave Sinkonco at Gilford Sound Studios in Vermont.  White’s frequent collaborators Reed Stutz (Mandolin, harmony vocals), Julian Pinnelli (Fiddle, harmony vocals), and Alan Mackie (Bass) create a weaving, textured landscape from which White’s no-nonsense voice takes off.  White sights The Stanley Brother’s as one of her biggest vocal influences, and her love of harmony singing is on full display throughout the album, especially in the gorgeous vocal blend she shares with Stutz.  “Singing with Reed is one of my very favorite things in the world, and I’m so glad that was a part of this project” she says. \\nWith her new album Just Like Leaving, White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table.  Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. — Rachel Baiman\\nTRACK LIST:\\n1. Gutted (4:06)\\n2. Not To Blame (2:55)\\n3. Do You Think About Me At All (3:16)\\n4. Just Like Leaving (3:26)\\n5. The Hand Of Your Raising (2:40)\\n6. Just Unwanted (3:13)\\n7. Broke (When I Realized) (3:38)\\n8. All I Gave To You (3:28)\\n9. 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White’s frequent collaborators Reed Stutz (Mandolin, harmony vocals), Julian Pinnelli (Fiddle, harmony vocals), and Alan Mackie (Bass) create a weaving, textured landscape from which White’s no-nonsense voice takes off.  White sights The Stanley Brother’s as one of her biggest vocal influences, and her love of harmony singing is on full display throughout the album, especially in the gorgeous vocal blend she shares with Stutz.  “Singing with Reed is one of my very favorite things in the world, and I’m so glad that was a part of this project” she says. \\nWith her new album Just Like Leaving, White has shown herself to be a star student of the bluegrass genre, with something new to bring to the table.  Her ability to translate modern experience to an old sound is seamless and compelling, and permeates the boundaries of a regional genre with authentic singing and songwriting. — Rachel Baiman\\nTRACK LIST:\\n1. Gutted (4:06)\\n2. Not To Blame (2:55)\\n3. Do You Think About Me At All (3:16)\\n4. Just Like Leaving (3:26)\\n5. The Hand Of Your Raising (2:40)\\n6. Just Unwanted (3:13)\\n7. Broke (When I Realized) (3:38)\\n8. All I Gave To You (3:28)\\n9. Now She Knows What It Feels Like (2:36)\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTRACK LIST:\u003cbr data-mce-fragment=\"1\"\u003e1. Gutted (4:06)\u003cbr data-mce-fragment=\"1\"\u003e2. Not To Blame (2:55)\u003cbr data-mce-fragment=\"1\"\u003e3. Do You Think About Me At All (3:16)\u003cbr data-mce-fragment=\"1\"\u003e4. Just Like Leaving (3:26)\u003cbr data-mce-fragment=\"1\"\u003e5. The Hand Of Your Raising (2:40)\u003cbr data-mce-fragment=\"1\"\u003e6. Just Unwanted (3:13)\u003cbr data-mce-fragment=\"1\"\u003e7. Broke (When I Realized) (3:38)\u003cbr data-mce-fragment=\"1\"\u003e8. All I Gave To You (3:28)\u003cbr data-mce-fragment=\"1\"\u003e9. Now She Knows What It Feels Like (2:36)\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962789451,"sku":"659696529212","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/p_7f61c6ca-eeaf-4203-833b-e8b2cf0fd8f2.png?v=1787759844"},{"product_id":"paper-airplane-black-vinyl","title":"Paper Airplane - Black Vinyl Record","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAnyone who's paid attention to Alison Krauss' musical career, with and without Union Station, had to wonder what would happen after the unprecedented success of 2007's Raising Sand, her collaboration with Robert Plant. For her, the next logical move was to reunite with US, who had been dormant since 2004's Lonely Runs Both Ways and whose members all had busy solo careers. Given the long layoff, Paper Airplane was produced by US and engineered and mixed by Mike Shipley. According to Krauss, it was harder to complete than any previous album. Thankfully, it doesn't sound like it. It is a melancholy record, its songs largely revolve around themes of trial and perseverance. The title track that opens the record is a lilting country ballad written by Robert Lee Castleman and informed by Krauss' own recent life experiences. Her vocal is wrenching; it's utterly vulnerable in expressing love's loss, yet it's steely in its resolve, recognizing an eventual emergence. Peter Rowan's minor-key bluegrass stomper \"Dust Bowl Children\" features Dan Tyminski's trademark vocal. It's angry, bewildered, and determined. The interplay between Ron Block's banjo, Barry Bales' driving bassline, and Jerry Douglas' dobro is earthy, lean, and mean. Brother Viktor Krauss and Angel Snow contributed \"Lie Awake,\" a spooky, broken love song full of swooping dobro and Krauss' forlorn fiddle. Only US could empathically back her searching, desperate vocal. Paper Airplane is sequenced beautifully. The reading of Richard Thompson's \"Dimming of the Day\" is the hinge piece on the record (and rivals the title track for the best thing here). This is Krauss' finest vocal performance this time out; it's devastating in expressing raw need, loss, and emptiness from a protagonist in the middle of a time of trial. Sidney Cox's \"Bonita and Bill Butler\" is a banjo-driven seafaring tragedy sung exquisitely by Tyminski before Paper Airplane closes with a stellar cover of Jackson Browne's \"My Opening Farewell,\" which brings the album full circle, leaving the listener to meditate upon life's many episodes. Krauss' version wrings more sheer acceptance from the lyrics than Browne's own does. Paper Airplane is very polished -- pristine, even -- but there isn't an extra thing on it. It feels organic and authentic, allowing plenty of room for the emotional power in these songs to come forth. Union Station proves once more that it is a contemporary bluegrass outfit that makes no concession to contemporary country music. - Thom Jurek (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Paper Airplane (3:37)\u003cbr\u003e2. Dust Bowl Children (3:07)\u003cbr\u003e3. Lie Awake (3:56)\u003cbr\u003e4. Lay My Burden Down (3:52)\u003cbr\u003e5. My Love Follows You Where You Go (4:04)\u003cbr\u003e6. Dimming Of The Day (5:20)\u003cbr\u003e7. On The Outside Looking In (3:36)\u003cbr\u003e8. Miles To Go (2:54)\u003cbr\u003e9. Sinking Stone (4:43)\u003cbr\u003e10. Bonita And Bill Butler (4:03)\u003cbr\u003e11. My Opening Farewell (4:09)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072962822219,"sku":"011661066519","price":53.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/Vinyl_Exit_Alison_Krauss_Paper_Airplane.png?v=1787759845"},{"product_id":"alison-krauss-union-station-live-dvd","title":"Alison Krauss \u0026 Union Station Live - DVD","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAlison Krauss \u0026amp; Union Station - Live DVD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrand new item and ready to ship fast from the U.S.\u003c\/p\u003e\n\u003cp\u003eExperience the extraordinary musicianship of Alison Krauss \u0026amp; Union Station with \u003cem\u003eLive\u003c\/em\u003e on DVD. Capturing the group in concert, this performance showcases Alison Krauss' unmistakable voice alongside the world-class instrumental talent, vocal harmonies, and acoustic arrangements that have made the group a favorite among bluegrass and roots music fans.\u003c\/p\u003e\n\u003cp\u003eBlending bluegrass, country, folk, Americana, and acoustic music, \u003cem\u003eLive\u003c\/em\u003e brings the warmth and precision of Alison Krauss \u0026amp; Union Station's performances directly into your home. From delicate vocal moments to impressive instrumental passages, the concert highlights the musical chemistry and craftsmanship that define the group's sound.\u003c\/p\u003e\n\u003cp\u003eThe DVD format lets you both hear and see the performance, making it an excellent addition to an Alison Krauss collection or a physical media library focused on legendary live music. It's a great way to revisit the concert whenever you want from the comfort of home.\u003c\/p\u003e\n\u003cp\u003ePerfect for Alison Krauss fans, Union Station listeners, bluegrass and country enthusiasts, Americana and folk fans, concert DVD collectors, acoustic music lovers, or anyone searching for a thoughtful gift for a serious music fan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy You Need It Now\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConcert DVDs from acclaimed artists can become harder to find as physical media inventory changes over time. Grab your Alison Krauss \u0026amp; Union Station \u003cem\u003eLive\u003c\/em\u003e DVD today while it's available and bring this exceptional live performance into your collection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAlthough there have been fine female bluegrass singers and songwriters in the past such as Hazel Dickens, Emmylou Harris, and Dolly Parton who have achieved commercial success, Alison Krauss must be considered the first woman bluegrass superstar. Ever since her first release Alison Krauss' new albums have maintained a remarkably high level of musical and technical consistency. Her latest recording, Alison Krauss + Union Station Live, shows why the audiences at her regularly sold out live shows always go home happy.\u003c\/p\u003e\n\u003cp\u003eRecorded over two evenings, April 29th and 30th 2002, at the Louisville Palace in Louisville, Kentucky (except one cut - Down To the River To Pray which was recorded at the Austin City Limits TV show), using Sony's new DSD recording format, this two-CD set manages to combine both great playing and great sound. Union Station's core members, Dan Tyminsky on guitar, mando, and baritone vocals, Ron Block on banjo, guitar, and tenor vocals, and Barry Bales on acoustic bass, are joined by Jerry Douglas on dobro and Larry Atamanuik on drums. This ensemble produces some of the tightest, most technically complex bluegrass music you will ever hear. Their precision three-part harmonies coupled with dazzling solos and complex arrangements set a dizzyingly high musical standard.\u003c\/p\u003e\n\u003cp\u003eThe sound on Alison Krauss + Union Station Live is nothing short of state of the art. The Sony DSD recording process is simply the most transparent and least colored methodology currently available. Chief engineer Gary Paczosa, assisted by Neal Cappellino, Tracy Martinson, Eric Bickel, Thomas Johnson, and K.C.Groves, captured the pristine quality of Alison Krauss and Union Station's live show. Frank Edmundson, their gifted road manager and house sound engineer who recently passed away at age 49, was renown in bluegrass circles as one of the best live sound guys around. The sonics on Alison Krauss + Union Station Live give you a taste of just how good amplified music can sound when done well.\u003c\/p\u003e\n\u003cp\u003eAlison Krauss + Union Station Live is a must-have for Alison Krauss and bluegrass fans as well as anyone else who enjoys virtuoso acoustic music. - Steven Stone (Audiophilereview.com)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. Let Me Touch You for Awhile (3:46)\u003cbr\u003e2. Choctaw Hayride (3:26)\u003cbr\u003e3. The Lucky One (3:41)\u003cbr\u003e4. Baby, Now That I've Found You (5:03)\u003cbr\u003e5. Bright Sunny South (3:08)\u003cbr\u003e6. Every Time You Say Goodbye (3:05)\u003cbr\u003e7. Tiny Broken Heart (3:09)\u003cbr\u003e8. Cluck Old Hen (2:48)\u003cbr\u003e9. Stay (3:17)\u003cbr\u003e10. Broadway (3:58)\u003cbr\u003e11. Ghost in This House (4:30)\u003cbr\u003e12. Forget About It (3:19)\u003cbr\u003e13. Faraway Land (3:20)\u003cbr\u003e14. 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It features the title track “Build Me Up From Bones,” GRAMMY®-nominated for Best American Roots Song, as well as covers of Joanna Newsom’s “The Book Of Right-On” and Bob Dylan’s “Simple Twist of Fate” which reflect the breadth of Jarosz’ evolving influences.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBuild Me Up From Bones Tracklist:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e1. Over the Edge\u003cbr\u003e2. Fuel the Fire\u003cbr\u003e3. Mile on the Moon\u003cbr\u003e4. Build Me Up From Bones\u003cbr\u003e5. Dark Road\u003cbr\u003e6. Simple Twist of Fate\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e1. 1,000 Things\u003cbr\u003e2. Gone Too Soon\u003cbr\u003e3. Anything Else\u003cbr\u003e4. The Book of Right-On\u003cbr\u003e5. 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A gifted instrumentalist, singularly expressive vocalist and songwriter of rare insight, Jarosz anchors her new record with a haunting quartet of songs written and performed solo—\"Early Morning Light,\" \"Everything to Hide,\" \"Take Another Turn\" and \"Jacqueline.\" She expands her palate from the swampy defiance of “House of Mercy” to the nostalgic “Back of My Mind.” Undercurrent captures the process of personal evolution and discovery as well as the inspirational nature of change.\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003c\/p\u003e\n\u003cp\u003e1. Early Morning Light (2:36)\u003cbr\u003e2. Green Lights (3:35)\u003cbr\u003e3. House of Mercy (4:38)\u003cbr\u003e4. Everything to Hide (3:24)\u003cbr\u003e5. Back of My Mind (3:38)\u003cbr\u003e6. Comin' Undone (3:01)\u003cbr\u003e7. Take Another Turn (2:34)\u003cbr\u003e8. Lost Dog (3:39)\u003cbr\u003e9. Take Me Back (2:34)\u003cbr\u003e10. Still Life (2:54)\u003cbr\u003e11. 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The bridge seems to be producer T-Bone Burnett and the band assembled for this outing: drummer Jay Bellerose (who seems to be the session drummer in demand these days), upright bassist Dennis Crouch, guitarists Marc Ribot and Burnett, with Greg Leisz playing steel here and there, and a number of other guest appearances. Krauss, a monster fiddle player, only does so on two songs here. The proceedings are, predictably, very laid-back. Burnett has only known one speed these last ten years, and so the material chosen by the three is mostly very subdued. This doesn't make it boring, despite Burnett's production, which has become utterly predictable since he started working with Gillian Welch. He has a \"sound\" in the same way Daniel Lanois does: it's edges are all rounded, everything is very warm, and it all sounds artificially dated. Sam Phillips' \"Sister Rosetta Goes Before Us\" is a centerpiece on this set. It has her fingerprints all over it. This tune, with its forlorn, percussion-heavy tarantella backdrop, might have come from a Tom Waits record were it not so intricately melodic -- and Krauss' gypsy swing fiddle is a gorgeous touch. There is an emptiness at the heart of longing particularly suited to Krauss' woodsy voice, and Plant's harmony vocal is perfect, understated yet ever-present. It's the most organically atmospheric tune on the set -- not in terms of production, but for lyric and compositional content. Stellar. - Thom Jurek (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Rich Woman (4:05)\u003cbr\u003e2. Killing the Blues (4:17)\u003cbr\u003e3. Sister Rosetta Goes Before Us (3:25)\u003cbr\u003e4. Polly Come Home (5:39)\u003cbr\u003e5. Gone Gone Gone (Done Moved On) (3:33)\u003cbr\u003e6. Through the Morning, Through the Night (4:02)\u003cbr\u003e7. Please Read the Letter (5:55)\u003cbr\u003e8. Trampled Rose (5:33)\u003cbr\u003e9. 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With a storytelling sensibility that constantly shifts from candid to poetic, the Nashville-based artist details his experience with addiction, which included time in rehab and an overdose in early 2016. Rooted in a delicately sculpted sound that shows every nuance of his vocal delivery, Dying Star captures all the chaos and heartbreak on the way to finding redemption. Kelly co-produced Dying Star with Jarrad K (Kate Nash, Weezer), enlisting local musicians like singer\/songwriter Natalie Hemby, Joy Williams (formerly of the Civil Wars), Kacey Musgraves (Kelly’s wife), and Abby Sevigny (Kelly’s sister) to bring the album’s gracefully melodic, guitar-driven arrangements to life. With each song centered on lucid self-examination, Kelly shapes his narrative with equal parts singer\/songwriter confessionalism and punk-rock irreverence. “A lot of my music is focused on suffering, or trying to understand the human condition through the lens of suffering,” he says. “Which probably sounds totally depressing, but it’s actually the flipside of that. Sometimes you’ve gotta go into that darkness—you need to get lost and then figure out for yourself how to find your way back. That’s the only way we can find pure joy, and really be thankful for the life we’ve been given.”\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LIST:\u003c\/b\u003e\u003cbr\u003e1. Cover My Tracks (3:27)\u003cbr\u003e2. Mockingbird (4:38)\u003cbr\u003e3. Son Of A Highway Daughter (3:37)\u003cbr\u003e4. Paratrooper’s Battle Cry (4:00)\u003cbr\u003e5. Faceplant (3:43)\u003cbr\u003e6. Blackout (4:26)\u003cbr\u003e7. Big Brown Bus (4:56)\u003cbr\u003e8. Mercury (3:19)\u003cbr\u003e9. 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The album's tantalizing blend of tasteful folk and traditional bluegrass certainly deserved the award. But Old Feeling was more important as a footbridge to where Krauss would take her music -- and bluegrass itself -- over the next decade. It blended country and bluegrass with pop elements (the latter being most evident on \"Longest Highway\") in such an effortless way, the album couldn't possibly be seen as a play for the mainstream. The sentiment behind the gentle sway of \"It's Over\" and \"Wish I Still Had You\" was universal; blended into the honeyed voice of Krauss, it was irresistible. At the same time, the playing on \"Will You Be Leaving\" and \"Dark Skies\" was not only technically skilled, but startlingly genuine. (Sam Bush's mandolin and the dobro leads of producer Jerry Douglas were particularly impressive.) The record was imbued with the same old feeling that Krauss and her Union Station guitarist Dan Tyminski would later draw upon for O Brother, Where Art Thou? -- it was a bluegrass album at heart, but it came from a place where emotion and honesty weren't labeled with a genre tag. - Johnny Loftus (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. I've Got That Old Feeling (2:53)\u003cbr\u003e2. Dark Skies (2:20)\u003cbr\u003e3. Wish I Still Had You (3:44)\u003cbr\u003e4. Endless Highway (2:20)\u003cbr\u003e5. Winter of a Broken Heart (2:56)\u003cbr\u003e6. It's Over (3:03)\u003cbr\u003e7. Will You Be Leaving (2:22)\u003cbr\u003e8. Steel Rails (2:17)\u003cbr\u003e9.Tonight I'll Be Lonely Too (3:25)\u003cbr\u003e10. One Good Reason (3:06)\u003cbr\u003e11. That Makes One of Us (3:20)\u003cbr\u003e12. 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Ever since her first release Alison Krauss' new albums have maintained a remarkably high level of musical and technical consistency. Her latest recording, Alison Krauss + Union Station Live, shows why the audiences at her regularly sold out live shows always go home happy.\u003c\/p\u003e\n\u003cp\u003eRecorded over two evenings, April 29th and 30th 2002, at the Louisville Palace in Louisville, Kentucky (except one cut - Down To the River To Pray which was recorded at the Austin City Limits TV show), using Sony's new DSD recording format, this two-CD set manages to combine both great playing and great sound. Union Station's core members, Dan Tyminsky on guitar, mando, and baritone vocals, Ron Block on banjo, guitar, and tenor vocals, and Barry Bales on acoustic bass, are joined by Jerry Douglas on dobro and Larry Atamanuik on drums. This ensemble produces some of the tightest, most technically complex bluegrass music you will ever hear. Their precision three-part harmonies coupled with dazzling solos and complex arrangements set a dizzyingly high musical standard.\u003c\/p\u003e\n\u003cp\u003eThe sound on Alison Krauss + Union Station Live is nothing short of state of the art. The Sony DSD recording process is simply the most transparent and least colored methodology currently available. Chief engineer Gary Paczosa, assisted by Neal Cappellino, Tracy Martinson, Eric Bickel, Thomas Johnson, and K.C.Groves, captured the pristine quality of Alison Krauss and Union Station's live show. Frank Edmundson, their gifted road manager and house sound engineer who recently passed away at age 49, was renown in bluegrass circles as one of the best live sound guys around. The sonics on Alison Krauss + Union Station Live give you a taste of just how good amplified music can sound when done well.\u003c\/p\u003e\n\u003cp\u003eAlison Krauss + Union Station Live is a must-have for Alison Krauss and bluegrass fans as well as anyone else who enjoys virtuoso acoustic music. - Steven Stone (Audiophilereview.com)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. Let Me Touch You for Awhile (3:46)\u003cbr\u003e2. Choctaw Hayride (3:26)\u003cbr\u003e3. The Lucky One (3:41)\u003cbr\u003e4. Baby, Now That I've Found You (5:03)\u003cbr\u003e5. Bright Sunny South (3:08)\u003cbr\u003e6. Every Time You Say Goodbye (3:05)\u003cbr\u003e7. Tiny Broken Heart (3:09)\u003cbr\u003e8. Cluck Old Hen (2:48)\u003cbr\u003e9. Stay (3:17)\u003cbr\u003e10. Broadway (3:58)\u003cbr\u003e11. Ghost in This House (4:30)\u003cbr\u003e12. Forget About It (3:19)\u003cbr\u003e13. Faraway Land (3:20)\u003cbr\u003e14. A Tribute to Peador O'Donnell\/Monkey Let the Hogs Out (4:59)\u003cbr\u003e15. The Boy Who Wouldn't Hoe Corn (5:59)\u003cbr\u003e16. Take Me for Longing (2:48)\u003cbr\u003e17. I Am a Man of Constant Sorrow (4:12)\u003cbr\u003e18. Maybe (4:26)\u003cbr\u003e19. We Hide \u0026amp; Seek (5:33)\u003cbr\u003e20. But You Know I Love You (3:40)\u003cbr\u003e21. When You Say Nothing at All (4:22)\u003cbr\u003e22. New Favorite (4:01)\u003cbr\u003e23. Oh, Atlanta (6:47)\u003cbr\u003e24. Down to the River to Pray (2:10)\u003cbr\u003e25. There Is a Reason (5:12)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072963051595,"sku":"011661051522","price":21.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/AK_US_LIVE_CDexit.png?v=1787759849"},{"product_id":"now-that-ive-found-you-a-collection-cd","title":"Now That I've Found You: A Collection - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eAlison Krauss had been recording a decade before she gained stardom, but she became a star in a big way.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNow That I've Found You: A Collection\u003c\/em\u003e, a retrospective of her ten-year recording career for Rounder, became the surprise hit of 1995, rocketing to number two on the country charts and into the Top 15 on the pop charts, which is remarkable for a musician who had never captured the attention of a mass audience. It may have been a surprising success, but it also was deserved. Krauss was arguably the leading bluegrass musician of the late '80s and early '90s, pushing the music into new directions without losing sight of its roots.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNow That I've Found You\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edoes a splendid job of chronicling her career, hitting all of the highlights and making a new listener eager to seek out her albums.- Stephen Thomas Erlewine (AllMusic.com)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LISTING\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e1. Baby, Now That I've Found You\" (Tony Macaulay, John MacLeod) – 3:49\u003cbr\u003e\u003cspan\u003e(Previously Unreleased)\u003c\/span\u003e\u003cbr\u003e2. \"Oh, Atlanta\" (Mick Ralphs) – 4:41\u003cbr\u003e\u003cspan\u003e(Previously Unreleased)\u003c\/span\u003e\u003cbr\u003e3. \"Broadway\" (Sidney \u0026amp; Suzanne Cox) – 3:57\u003cbr\u003e\u003cspan\u003e(Previously Unreleased)\u003c\/span\u003e\u003cbr\u003e4. \"Every Time You Say Goodbye\" (John Pennell) – 3:13\u003cbr\u003e\u003cspan\u003e(From the Album \"Every Time You Say Goodbye\" by Alison Krauss \u0026amp; Union Station)\u003c\/span\u003e\u003cbr\u003e5. \"Tonight I'll Be Lonely Too\" (Sidney Cox) – 3:25\u003cbr\u003e\u003cspan\u003e(From the Album \"I've Got That Old Feeling\" by Alison Krauss)\u003c\/span\u003e\u003cbr\u003e6. \"Teardrops Will Kiss the Morning Dew\" (Paul Craft) – 3:38\u003cbr\u003e\u003cspan\u003e(From the Album \"Two Highways\" by Alison Krauss \u0026amp; Union Station)\u003c\/span\u003e\u003cbr\u003e7. \"Sleep On\" (Nelson Mandrell) – 2:23\u003cbr\u003e\u003cspan\u003e(From the Album \"Too Late to Cry\" by Alison Krauss)\u003c\/span\u003e\u003cbr\u003e8. \"When God Dips His Pen of Love in My Heart\" (Cleavant Derricks) – 2:26\u003cbr\u003e\u003cspan\u003e(From the Album \"Everybody's Reaching Out for Someone\" by The Cox Family)\u003c\/span\u003e\u003cbr\u003e9. \"I Will\" (John Lennon, Paul McCartney) – 4:04\u003cbr\u003e\u003cspan\u003e(From the Album \"Within Reach\" by Tony Furtado)\u003c\/span\u003e\u003cbr\u003e10. \"I Don't Believe You've Met My Baby\" (Autry Inman) – 3:10\u003cbr\u003e\u003cspan\u003e(From the Album \"Slide Rule\" by Jerry Douglas)\u003c\/span\u003e\u003cbr\u003e11. \"In the Palm of Your Hand\" (Ron Block) – 3:24\u003cbr\u003e\u003cspan\u003e(From the Album \"I Know Who Holds Tomorrow\" by Alison Krauss \u0026amp; The Cox Family)\u003c\/span\u003e\u003cbr\u003e12. \"When You Say Nothing at All\" (Paul Overstreet, Don Schlitz) – 4:21\u003cbr\u003e\u003cspan\u003e(From the Album \"Keith Whitley: A Tribute Album\" performed by Alison Krauss \u0026amp; Union Station)\u003c\/span\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072963117131,"sku":"011661032521","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/AlisonKraussNowThatIFoundYouCD.png?v=1787759849"},{"product_id":"so-long-so-wrong-cd","title":"So Long So Wrong - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cb data-mce-fragment=\"1\"\u003eDESCRIPTION:\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSo Long, So Wrong is an iconic album. It signaled Alison Krauss \u0026amp; Union Station’s shift from a bluegrass-centered aesthetic to the signature post-grass, adult contemporary, mainstream sound that solidified their astronomical success. Ostensibly a bluegrass album, it rose through the ranks to land at number 4 on the Billboard Top Country Albums chart in 1997, the year it was released. But the objective markers of its success really don’t matter here. What does matter is that this album brought up a generation of bluegrass pickers, and mashers, and emotive songwriters who are rabidly, unapologetically, all-encompassingly in love with this album. This author falls into more than one of the categories listed prior. - Justin Hiltner (TheBluegrassSituation.com)\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003cbr\u003e1. So Long, So Wrong (3:22)\u003cbr\u003e2. No Place to Hide (3:28)\u003cbr\u003e3. Deeper Than Crying (3:07)\u003cbr\u003e4. I Can Let Go Now (2:27)\u003cbr\u003e5. The Road Is a Lover (3:11)\u003cbr\u003e6. Little Liza Jane (1:43)\u003cbr\u003e7. It Doesn't Matter (3:52)\u003cbr\u003e8. Find My Way Back to My Heart (3:33)\u003cbr\u003e9. I'll Remember You Love in My Prayers (3:02)\u003cbr\u003e10. Looking in the Eyes of Love (4:19)\u003cbr\u003e11. Pain of a Troubled Life (2:54)\u003cbr\u003e12. Happiness (3:55)\u003cbr\u003e13. Blue Trail of Sorrow (3:19)\u003cbr\u003e14. 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It’s also about stepping more firmly into adulthood, even if a few years later than expected.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs a band, this album is a celebration of each other and our closeness as a group. It’s the 4 of us live in a room not hiding behind any sort of studio magic. This band has made us stronger and brought us closer through the years and we’re recognizing that and are more proud of that than ever.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFar from apathetic,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGood Luck With Whatever\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis Dawes at their most unapologetic. It’s sympathetic and magnetic, 50% genetic and highly kinetic. Songs like “Didn’t Fix Me” and “Me Especially” showcase Goldsmith’s poetic prowess perfectly; a historian of the human condition, transforming turmoil into motor oil. Drop the tone arm down, turn the volume up, unplug the phone and if you still feel nothing... call a doctor.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGood Luck With Whatever\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an unfiltered photograph of a band doing what they do best. A moment in the timeline of a 10 year old band who still possess the wonderment and fearlessness of a 10 year old man. These guys learned to rock before they could crawl and now it’s time to let em’ run. Ask any scientist and they’ll tell you one thing... you can’t fake chemistry.\u003c\/p\u003e\n\u003cp\u003eRecorded at the historic RCA studios in Nashville Tennessee, the boys teamed up with six time Grammy award winning producer Dave “Corn On The” Cobb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eStreet date:\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOctober 2nd, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e1. Still Feel Like a Kid (3:12)\u003cbr\u003e2. Good Luck With Whatever (4:45)\u003cbr\u003e3. Between the Zero and the One (4:50)\u003cbr\u003e4. None of My Business(4:04)\u003cbr\u003e5. St. Augustine at Night (5:13)\u003cbr\u003e6. Who Do You Think You're Talking To? (3:19)\u003cbr\u003e7. Didn't Fix Me (5:32)\u003cbr\u003e8. Free as We Wanna Be (3:16)\u003cbr\u003e9. 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Now, after fourteen years, the two icons return with Raise the Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTRACK LISTING\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. Now, after fourteen years, the two icons return with Raise the Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions. TRACK LISTING \\n\\n1        Quattro (World Drifts In)                 \\n\\n2        The Price Of Love                 \\n\\n3        Go Your Way                 \\n\\n4        Trouble With My Lover                 \\n\\n5        Searching For My Love                 \\n\\n6        Can’t Let Go                 \\n\\n7        It Don’t Bother Me                 \\n\\n8        You Led Me To The Wrong                 \\n\\n9        Last Kind Words Blues                 \\n\\n10        High And Lonesome                 \\n\\n11        Going Where The Lonely Go                 \\n\\n12        Somebody Was Watching Over Me \"}'\u003e\u003cbr\u003e1 Quattro (World Drifts In) \u003cbr\u003e\u003cbr\u003e2 The Price Of Love \u003cbr\u003e\u003cbr\u003e3 Go Your Way \u003cbr\u003e\u003cbr\u003e4 Trouble With My Lover \u003cbr\u003e\u003cbr\u003e5 Searching For My Love \u003cbr\u003e\u003cbr\u003e6 Can’t Let Go \u003cbr\u003e\u003cbr\u003e7 It Don’t Bother Me \u003cbr\u003e\u003cbr\u003e8 You Led Me To The Wrong \u003cbr\u003e\u003cbr\u003e9 Last Kind Words Blues \u003cbr\u003e\u003cbr\u003e10 High And Lonesome \u003cbr\u003e\u003cbr\u003e11 Going Where The Lonely Go \u003cbr\u003e\u003cbr\u003e12 Somebody Was Watching Over Me \u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072963412043,"sku":"888072270312","price":26.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/plant_krauss_raisetheroof_CD_packshot.png?v=1787759893"},{"product_id":"long-time-coming-cd","title":"Long Time Coming - Music CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e“I want my music to be like my mind is—all over the place. I listen to everything from bluegrass to techno to goth metal, and it all inspires me in different ways that I try to incorporate into my songs and make people really feel something.” -Sierra Ferrell\u003c\/p\u003e\n\u003cp\u003e-Guest musicians include Billy Strings, Jerry Douglas, Tim O'Brien, Chris Scruggs, Sarah Jarosz, Dennis Crouch. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. The Sea (3:32)\u003cbr\u003e\u003cbr\u003e2. Jeremiah (3:03)\u003cbr\u003e\u003cbr\u003e3. Bells Of Every Chapel (4:15)\u003cbr\u003e\u003cbr\u003e4. At The End Of The Rainbow (3:40)\u003cbr\u003e\u003cbr\u003e5. West Virginia Waltz (3:33)\u003cbr\u003e\u003cbr\u003e6. Silver Dollar (2:05)\u003cbr\u003e\u003cbr\u003e7. Far Away Across The Sea (3:17)\u003cbr\u003e\u003cbr\u003e8. Why’d Ya Do It (3:37)\u003cbr\u003e\u003cbr\u003e9. Give It Time (3:37)\u003cbr\u003e\u003cbr\u003e10. In Dreams (2:41)\u003cbr\u003e\u003cbr\u003e11. Made Like That (3:41)\u003cbr\u003e\u003cbr\u003e12. Whispering Waltz (3:21)\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072963543115,"sku":"888072241381","price":26.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/Sierra_CD.png?v=1787759898"},{"product_id":"faster-black-vinyl","title":"Faster - Black Vinyl Record","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePRODUCT DESCRIPTION\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eSamantha Fish \"Faster\" Standard Black LP\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eALBUM DESCRIPTION\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eOn her new album Faster, Samantha Fish joins forces with superproducer Martin Kierszenbaum (Lady Gaga, Sting) and imbues even more intensity into her electrifying brand of blues\/rock-and-roll. With Fish accompanied by legendary drummer Josh Freese (Guns N’ Roses, Nine Inch Nails, The Replacements) and bassist Diego Navaira of The Last Bandoleros, the result is a singular body of work both irresistibly galvanizing and emotionally raw.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\"FASTER\" TRACK LIST:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIDE A:\u003c\/strong\u003e\u003cbr\u003e1. Faster (2:55)\u003cbr\u003e2. All Ice No Whiskey (3:09)\u003cbr\u003e3. Twisted Ambition (3:14)\u003cbr\u003e4. Hypnotic (3:09)\u003cbr\u003e5. Forever Together (2:53)\u003cbr\u003e6. Crowd Control (4:18)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B:\u003c\/strong\u003e\u003cbr\u003e1. Imaginary War (3:09)\u003cbr\u003e2. Loud featuring Tech N9ne (4:53)\u003cbr\u003e3. Better Be Lonely (3:40)\u003cbr\u003e4. So Called Lover (3:05)\u003cbr\u003e5. Like a Classic (3:47)\u003cbr\u003e6. All the Words (4:35)\u003cstrong\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"ALBUM DESCRIPTION\\r\\nOn her new album Faster, Samantha Fish joins forces with superproducer Martin Kierszenbaum (Lady Gaga, Sting) and imbues even more intensity into her electrifying brand of blues\/rock-and-roll. With Fish accompanied by legendary drummer Josh Freese (Guns N’ Roses, Nine Inch Nails, The Replacements) and bassist Diego Navaira of The Last Bandoleros, the result is a singular body of work both irresistibly galvanizing and emotionally raw. \\r\\n\\r\\n\\r\\nTRACK LIST\\r\\n\\r\\n1.\\tFaster (2:55) \\r\\n2.\\tAll Ice No Whiskey (3:09) \\r\\n3.\\tTwisted Ambition (3:14) \\r\\n4.\\tHypnotic (3:09) \\r\\n5.\\tForever Together (2:53)\\r\\n6.\\t Crowd Control (4:18) \\r\\n7.\\tImaginary War (3:09) \\r\\n8.\\tLoud featuring Tech N9ne (4:53) \\r\\n9.\\tBetter Be Lonely (3:40) \\r\\n10.\\tSo Called Lover (3:05) \\r\\n11.\\tLike a Classic (3:47)\\r\\n12.\\t All the Words (4:35) \\r\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"ALBUM DESCRIPTION\\r\\nOn her new album Faster, Samantha Fish joins forces with superproducer Martin Kierszenbaum (Lady Gaga, Sting) and imbues even more intensity into her electrifying brand of blues\/rock-and-roll. With Fish accompanied by legendary drummer Josh Freese (Guns N’ Roses, Nine Inch Nails, The Replacements) and bassist Diego Navaira of The Last Bandoleros, the result is a singular body of work both irresistibly galvanizing and emotionally raw. \\r\\n\\r\\n\\r\\nTRACK LIST\\r\\n\\r\\n1.\\tFaster (2:55) \\r\\n2.\\tAll Ice No Whiskey (3:09) \\r\\n3.\\tTwisted Ambition (3:14) \\r\\n4.\\tHypnotic (3:09) \\r\\n5.\\tForever Together (2:53)\\r\\n6.\\t Crowd Control (4:18) \\r\\n7.\\tImaginary War (3:09) \\r\\n8.\\tLoud featuring Tech N9ne (4:53) \\r\\n9.\\tBetter Be Lonely (3:40) \\r\\n10.\\tSo Called Lover (3:05) \\r\\n11.\\tLike a Classic (3:47)\\r\\n12.\\t All the Words (4:35) \\r\\n\"}' data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":3,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072963510347,"sku":"888072264670","price":41.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/p_ed5fc0fe-ba9f-492d-9cbc-fedb3238d21e.png?v=1787759898"},{"product_id":"the-weakness-cd","title":"The Weakness - Music CD","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"TextRun SCXW74932928 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Emphasis\" class=\"NormalTextRun SCXW74932928 BCX0\"\u003ePushing forward with the intensely self-aware truth-telling he’s always brought to his music, Ruston Kelly immersed himself in the making of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW74932928 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Emphasis\" class=\"NormalTextRun SCXW74932928 BCX0\"\u003eThe Weakness\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW74932928 BCX0\" lang=\"EN-US\" data-contrast=\"none\"\u003e\u003cspan data-ccp-charstyle=\"Emphasis\" class=\"NormalTextRun SCXW74932928 BCX0\"\u003e: a blisteringly honest but profoundly hopeful album that ultimately reveals our vast potential to create strength and beauty from the most painful of experiences. “I hope this music helps people to become the hero of their own lives by understanding their own weaknesses a little better,” says Kelly. “And I hope it helps them to see that tragedy, however it manifests for you, doesn’t ever have to be the period at the end of the sentence.”\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}' class=\"EOP SCXW74932928 BCX0\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"auto\"\u003eTRACK LISTING\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e The Weakness \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Hellfire \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e St. Jupiter \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Let Only Love Remain \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Michael Keaton \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Mending Song \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Dive \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Breakdown \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Holy Shit \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Better Now \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Wicked Hands \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\"\u003e Cold Black Mile\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":40,\"335559740\":240}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rounder Records","offers":[{"title":"Default Title","offer_id":43072963575883,"sku":"888072485747","price":18.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/RustonKelly_TheWeakness_cd_Mock_509c27de-3303-4ea7-bcf6-0cb8fdb87fef.png?v=1787759899"}],"url":"https:\/\/rockbandmerch.com\/collections\/rounder-records-1.oembed?page=3","provider":"Rock Band Merch","version":"1.0","type":"link"}