{"title":"CD \u0026 Vinyl Pre-Orders","description":"","products":[{"product_id":"francois-tetaz-blue-colv-uk-surfer-o-s-t-blue-colored-vinyl-uk","title":"Pre-Order: Francois Tetaz  (Blue) (Colv) (Uk) - Surfer - O.S.T. (Blue) [Colored Vinyl] (Uk) Vinyl Record","description":"\u003cp\u003eImpressed SoundTracks, in collaboration with Rubber Records, is proud to present the soundtrack of The Surfer, a 2024 psychological thriller directed by Lorcan Finnegan and starring Nicolas Cage that premiered at the 77th Cannes Film Festival.The film's original score is composed by François Tétaz, an Australian film composer known for his work on films such as Elvis (2022), Wolf Creek (2005), and Judy \u0026amp; Punch (2019).\"\"... François Tétaz's terrific score carries strains of Morricone in it's mythic propulsion.\"\" Paste MagazineThe film centers on a man who returns to his Australian hometown after spending years in the U.S. When a group of local surfers humiliates him in front of his teenage son, and a group of local surfers who claim ownership of the secluded beach from his childhood, he is pushed to the brink of his sanity.The score was written as The Surfer's inner dialogue; his childhood in Australia through his father's record collection and some misremembered TV themes he grew up with. Australian shows like In the Wild with Harry Butler, Skippy and the New Wave soundtracks for Wake in Fright, The Last Wave and John Sangster's Paradise Vol 1 for the Queensland tourism commission - Australian Exotica.The soundtrack captures the protagonist's nostalgia for his childhood beach, his underlying melancholy, and the unique atmosphere of the place itself. The hypnotic turquoise waves, the dry bush, the essence of Australia, and the peculiar tone of the story were all reflected in the music. A soundtrack beautiful crafted to be enjoyed independently of the movie.Scoring The Surfer was a gift and a challenge. Nicolas Cage gave such a big performance, the instrumentation grew larger and stranger - the tonal colors kept expanding. I somehow ended up adding ludicrous amounts of wind chimes, mark tree and bell tree. Usually, a cliched instrument choice for wonder and magic, here they are intended to be so insistent they become taunting and maddening. - François Tétaz (film composer)The main theme becomes twisted and distorted. In 'Clams Casino' the score becomes the Surfer's state of mind as he loses his mind. It's a journey of The Surfer losing his mind and finding a way to move on.The 'outsider's view' was very interesting to me, to make a film that feels like the subjective experience of a man trying to come to terms with himself. The Surfer is a man who grew up in Australia, but after a childhood tragedy moved to California, before eventually returning to Australia. As an Irish director collaborating with American actor Nicolas Cage and Polish cinematographer Radek Ladczuk, we found an interesting way into this story, as outsiders. 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As a composer, Marvin Hamlisch won virtually every major award that exists: three Oscars, four Grammys, four Emmys, a Tony, three Golden Globe Awards, and the Pulitzer Prize. For Broadway, Hamlisch wrote the music for his groundbreaking show A CHORUS LINE, as well as THEY'RE PLAYING OUR SONG, THE GOODBYE GIRL and SWEET SMELL OF SUCCESS. Additional theatrical scores include JEAN SEBERG and THE NUTTY PROFESSOR. He was the composer of more than 40 motion picture scores, including his Oscar-winning score and song for THE WAY WE WERE and his adaptation of Scott Joplin's music for THE STING, for which he received a third Oscar. His prolific output of scores for films includes original compositions and\/or musical adaptations for SOPHIE'S CHOICE, ORDINARY PEOPLE, THE SWIMMER, THREE MEN AND A BABY, ICE CASTLES, TAKE THE MONEY AND RUN, BANANAS, SAVE THE TIGER and THE INFORMANT!, starring Matt Damon and directed by Steven Soderbergh. Hamlisch held the position of principal pops conductor for the Pittsburgh Symphony Orchestra, Milwaukee Symphony Orchestra, Dallas Symphony Orchestra, Pasadena Symphony and Pops, Seattle Symphony, San Diego Symphony, The Buffalo Philharmonic and The National Symphony Orchestra in Washington, D.C. At the time of his death in 2012, he was preparing to assume responsibilities as principal pops conductor for The Philadelphia Orchestra. Hamlisch was a graduate of the Juilliard School of Music and Queens College, where he earned a Bachelor of Arts degree. Originally released in the early days of the compact disc format by Southern Cross Records, Dragon's Domain Records is excited to bring SOPHIE'S CHOICE back to the marketplace, with the music remastered by James Nelson at Digital Outland, retaining liner notes that include a note from director Alan J. 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