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Synthesized kicks, organic percussion, and hypnotic full-kit rhythms are brought into balance with unfiltered hooks, thoroughly alien top lines, and hazed drones. A surprising amount of top-shelf studio technology was thrown at this record courtesy of landmark recording studio Tonal Park - a binaural microphone, vintage synthesizers, Brian Eno's favorite harmonizer, etc. - often because it was just really fun to take this high-powered stuff for a spin. There are a few assists from the community at large, too. Geologist contributed hurdy-gurdy and synth to \"Oboe Crows.\" Jacob Long (Black Eyes, Earthensea) supplied cover art.This duo relies on intuition and years of shared outer-reaches experience to feel their way through the compositions, chart unfamiliar territory, and test boundaries. On the Iffnesss finds McGuinness and Petillo adding new depth to the genres that their work has been most heavily identified with and arrives somewhere more singular, harder to pin down. 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Across twelve songs, the London quartet of Roxanne Clifford, James Hoare, Marion Herbain and Patrick Doyle fused chiming guitars, ragged rhythms and beautifully intertwined vocals with songs about ghosts, doomed romance, death and dread. The result was an album that could sound euphoric and unsettling in the same breath, repeatedly finding light and darkness occupying the same space. It is music that invites you in with it's melodies before revealing it's shadows.The album remains a concise document of a band at a particularly distinctive moment: steeped in the lineage of The Velvet Underground, Beat Happening, Galaxie 500, Felt and 1960s pop, but with it's own wonderfully skewed take on their influences. Veronica Falls would go on to release a second album, \"Waiting for Something to Happen,\" in 2013, before the members pursued separate musical paths and Patrick sadly passed in 2018.Now, fifteen years on, \"Veronica Falls\" returns as a reminder of just how potent that original formula was: beautiful, bruised, and instantly memorable. The anniversary reissue includes a bonus disc gathering nine recordings from the same period. Side C brings together five cover versions: the Rolling Stones' \"Under My Thumb\", Slumber Party's \"Sooner Or Later\", The West Coast Pop Art Experimental Band's \"Eighteen Is Over the Hill\", Eurythmics' \"Thorn in My Side\" and The Verlaines' \"Joed Out\". 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