{"title":"New This Week: November 23-29","description":null,"products":[{"product_id":"pre-order-widespread-panic-widespread-panic-blk-colored-vinyl-grn-limited-edition-wht","title":"Pre-Order: Widespread Panic - Widespread Panic (Blk) [Colored Vinyl] (Grn) [Limited Edition] (Wht)","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 781057003519\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Widespread Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":42366454267979,"sku":"162361027","price":75.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/418467326613_1000.jpg?v=1790785776"},{"product_id":"pre-order-thee-michelle-gun-elephant-high-time-2lp-180g-30th-anniversary-deluxe-lp","title":"Pre-Order: Thee Michelle Gun Elephant - High Time (2lp\/180g\/30th Anniversary\/deluxe) [LP]","description":"\u003cp\u003eTo commemorate the 30th anniversary of Thee Michelle Gun Elephant's debut, the project \"THEE 30th\" will release \"High Time -THEE 30th 180gx2 Definitive edition-\" on November 1, 2026, marking the final installment of the anniversary series.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrand New Stone\u003c\/li\u003e\n\u003cli\u003eRiryi\u003c\/li\u003e\n\u003cli\u003eKoi O Shiyou Yo\u003c\/li\u003e\n\u003cli\u003eSweet Monaco\u003c\/li\u003e\n\u003cli\u003eShanderiya\u003c\/li\u003e\n\u003cli\u003eBlue Nylon Shirts (From Bathroom)\u003c\/li\u003e\n\u003cli\u003eBowling Machine\u003c\/li\u003e\n\u003cli\u003eWarau Shika Nai\u003c\/li\u003e\n\u003cli\u003eFlash Silver Bus\u003c\/li\u003e\n\u003cli\u003eCandy House (Texas Style)\u003c\/li\u003e\n\u003cli\u003eSlow\u003c\/li\u003e\n\u003cli\u003eBaby Please Go Home - Wave '33\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4549767366241\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nippon Columbia\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":42406524715083,"sku":"190591752","price":111.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/4515627-3598258.jpg?v=1778637133"},{"product_id":"pre-order-pennines-recordings-2008-09-download-included","title":"Pre-Order: Pennines - Recordings 2008-09 [Download Included]","description":"\u003cp\u003eThe six tracks comprising recordings 2008-09 make up the entire pennines discography to date. In 2006 the four-piece began writing their first songs in Norwich, UK, releasing \"Whiskey Tango Foxtrot...\" and \"Open Closed Open\" in 2008 on the retroactively titled First CD (aka demo or free cd), the original physical copies of which were homespun and given away gratis at shows. Coming up in the UK mid-late 2000s indie music scene, pennines were lucky enough to share the stage with contemporaries such as Stapleton, Hot Club de Paris, Colour, Dartz!, TTNG and other like minded musical friends. Popularized by genre forebears toe and American Football, pennines favoured arpeggiated guitar, syncopation, staccato call-and-response harmonies, and unexpected rhythm decisions. \"One of the things I loved about pennines was the absolute lack of bullshit,\" recalls singer\/guitarist Henry Tremain, referencing the band's straightforward approach to their sound. Pennines used a clean guitar tone with no distortion or effects pedals and a DIY approach to recording, aiming for a natural representation of the songs. The downtempo, meditative coda of \"Collapsing New Buildings\" exemplifies the pennines signature, as does the entrancing guitar play midway through \"Pilot Holes,\" two songs that also feature upbeat, crashing passages that demonstrate the band's ability to balance energy and subtlety. #recordings 2008-09 concludes in under twenty minutes with the scurried \"Does Not Want,\" whose abrupt ending tricks the listener into expecting more - fitting punctuation for a band whose original run was no more than a few years, and resulted in a discography shorter than most albums.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhiskey Tango Foxtrot? 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While Nikolai Medtner (1880-1951) is best known for the cycle of piano sonatas which assure his stature as one of the great pianist-composers of the 20th century, his musical inspiration was hardly confined to expression through his own instrument. Brilliant Classics have already issued a magnificent cycle of Medtner's complete songs, which cover the course of the composer's long career from his Russian childhood to his exile and retirement in London from 1936. Medtner's wife Anna was a violinist, and he seems to have had her in mind when writing his music for violin and piano. Premiered in 1911, the First Sonata was inspired by the figure of Dionysus, Greek god of revelry. Thus the sonata concludes with a wild 'Dithyramb' which works a tango rhythm into the texture. From 1925, the Second Sonata bears the subtitle 'Spring' less in homage to Beethoven's example than to a poem by Fyodor Tyutchev. This is one of Medtner's most overtly 'Russian' works with it's folky spirit and evocations of balalaikas. The third, last and longest of the sonatas was composed in 1938, once Medtner had settled in London. We may hear in it the mingled relief and sadness at the turbulent state of his homeland, and his distance from it. Born in Naples in 1988, Fabrizio Falasca is Assistant Leader of the Philharmonia Orchestra in London, regularly playing with the world's great conductors of our day, but he also pursues a busy solo career of his own, as both a recitalist and a recording artist. This survey of Medtner marks his third album for Brilliant Classics, following well-received collections of Viotti and Busoni: 'Fluent, musical and well-recorded performances' (MusicWeb International). His partner on this occasion is the pianist Antonio Pompa-Baldi, who is renowned in his own right as a specialist in super-virtuoso piano music and neglected composers of the late-Romantic era. He is a regular guest at the Rarities of Piano Music Festival in Husum, Germany and a professor of piano at the Cleveland Institute of Music. His own extensive catalogue of recordings includes collections of solo music by Grieg and Hummel as well as concertos and chamber-music collaborations such as this one with his fellow Italian, Fabrizio Falasca. Together, violinist and pianist tap into the elusive but deep feelings flowing beneath the complex surface of Medtner's ambitious forms and grand narratives. 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