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Jansons became principal guest conductor of Manchester's Hallé Orchestra in 1965 at the personal invitation of Sir John Barbirolli, who knew of Jansons as an expert orchestral conductor but a genius in the rehearsal studio. It was in Manchester that Jansons collapsed and died from a heart attack in 1984 while conducting a concert with the Hallé. 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Out 25 September via Cooking Vinyl, the record expands the band's sound while holding onto the melodic warmth and sense of wonder that has long defined their music.The album began in one of the most remote corners of the UK. While volunteering as a National Trust ranger on St Kilda, 100 kilometres west of the Outer Hebrides, frontman Brian Briggs spent weeks living among the island's towering sea cliffs, seabird colonies and abandoned settlements. The experience - standing on the edge of the Atlantic with nothing between the island and Canada - sparked the first songs that would become Beyonder. A photograph taken there now forms the album cover.\"Never have I been anywhere so wild and exposed, and never have I felt more alive,\" Briggs says of the experience. The stark landscape and the island's layered history - where centuries-old blackhouses stand not far from a modern military base - shaped a record that quietly reflects on connection, fragility and the changing world around us.Beyonder is an album for a changing world. It confronts the biodiversity and climate crises, the rise of divisive politics, and the toll these pressures take on our minds and communities. These are songs about journeys and destinations, discovery and choice, and taken together they cultivate a hopeful state of mind in unsettled times. Musically, Beyonder sees Stornoway stepping beyond the folk label often attached to their early work. The songs feel broader in scale, with expansive arrangements that still centre on the band's distinctive harmonies and clear melodic writing. 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Stephen Wyrczynski, viola, and Aram Arakelyan, piano, gave the world premiere in the fall of 2024 and recorded the work for Azica Records in the summer of 2025 with producer Alan Bise. A printed edition is published by Songburd Music.This definitive edition of The Rite of Spring for viola and piano was a collaboration between Stephen Wyrczynski and Aram Arakelyan, both in residence at the Jacobs School of Music at Indiana University. We spent many months studying the orchestral score composed by Stravinsky, as well as reviewing and considering the composer's own reduction for piano four hands. 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This is loud. This is blues the way it was meant to be - sweaty, electric, and unapologetic. The kind of music where the amps glow, the drums crack like thunder, and the crowd feels every bend of the strings in their chest.  Follow the thunder.  Delmark Records - Blues and Jazz since 1953; experience the legends from the blues capital of the world!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 038153089818\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Delmark\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":42903890034763,"sku":"289044680","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/4529161-3670606.jpg?v=1784673095"},{"product_id":"pre-order-vershinina-yulia-mukhopadhyay-cantata-remix-for-four-hands-cd","title":"Pre-Order: Vershinina-Yulia Mukhopadhyay - Cantata (Re)Mix For Four Hands [CD]","description":"\u003cp\u003eAthene is proud to present Cantata (re)mixed for four hands, an exciting album of J.S. Bach's Cantatas arranged\/re-composed by Chiahu Lee and Gyorgy Kurtag, and performed by piano Duo Vershinina-Lee (Chiahu Lee and Yulia Vershinina-Mukhopadhyay). This follows their acclaimed Diversions release in 2024 (re)inventions a deux pianos (DDV 24172), a complete recomposition for two pianos of J.S. Bach's 15 two-part inventions, praised by BBC Music Magazine as 'an invigorating and beguiling spring clean for the ears.' Yulia Vershinina first encountered Kurtag's transcription of the Sonatina from J.S. Bach's Cantata Gottes Zeit ist die allerbeste Zeit ten years ago, and drawn to it's intimacy, the Duo have longed to record it. It's included on the album alongside six new four-hand reimaginings of J.S. Bach cantata sections composed by Chiahu Lee, and in doing so the duo have formed an imagined cantata of their own, bringing Bach's vocal world into the shared space of one piano, embodying the joy, spontaneity, and trust of their unique partnership.The album opens with the exhilarating and joyful arrangement of Sinfonia 'Wir danken dir, Gott, wir danken dir' (BWV 29), followed by the Chorale 'Wachet auf, ruft uns die Stimme' (BWV 140), both bringing to mind the layered textures of electronic music. The Chorale Prelude 'Nun freut euch, lieben Christen g'mein' (BWV 734) successfully manages the tricky task of translating the various different instrumental colours into one shared keyboard. Chorale Prelude 'Ich ruf zu dir, Herr Jesu Christ' (BWV 639) was inspired in part by Kurtag's transcription style: intimate, spare, and intensely concentrated, and is followed by his long-awaited arrangement of the Sonatina 'Gottes Zeit ist die allerbeste Zeit' (BWV 106). Chia- Chia has waited since childhood to play Aria 'Alles, was von Gott geboren' (BWV 80), and to bring this beloved vocal moment into the shared space of four hands. The final Chorale 'Alle Menschen mussen sterben' (BWV 262) was inspired by string instruments - Lee found ways to allow the piano to replicate their resonance and to suggest bowed sound.Chiahu-Lu Lee says 'Bach himself was a master of transcription: he arranged music by other composers and reworked his own. Seen in that light, the desire to carry Bach's vocal worlds into the hands of pianists felt less like an intrusion and more of a continuation - a way of entering a tradition rather than stepping outside of it.'Pianists Yulia Vershinina-Mukhopadhyay and Chiahu 'Chia-Chia' Lee met at the Royal Northern College of Music in Manchester, where a lasting friendship grew into an enduring musical partnership. 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Drawing on distinctly American preoccupations, the work unfolds within a community bound together by circumstance and belief, shaped by the unsettling presence of an unexplained 'hum' that blurs perception and reality. Through Mazzoli's richly textured orchestral writing and Vavrek's incisive dramaturgy, the opera becomes a powerful reflection on vulnerability, tenderness, rage and hope, all sung into existence with a haunting sense of optimism.At it's centre is Claire Devon, a high school math teacher portrayed with remarkable intensity by Nicole Heaston, whose collaboration with the composer shapes a character defined by curiosity, precision and uncompromising emotional depth. Her journey from isolation to reluctant authority exposes the human need for connection in a world where listening becomes both consolation and control, and where belief can quickly harden into collective illusion. 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With this album, Christophe Rousset returns both to Porpora, whose music he notably championed in the album Farinelli: A Portrait, and to Ann Hallenberg, who leads a superb cast including Mélissa Petit in the title role. To introduce this opera, Christophe Rousset's own words are probably the most eloquent: \"\"Porpora's work has always been of great interest to me. His style is galant, pre-Classical, and characterised by great lyricism, absolutely magnificent vocal lines and great virtuosity in the fast arias. Ifigenia in Aulide transports us to an eighteenth century that will appeal to a wide range of Baroque enthusiasts, and tells a wonderful story, encompassing the full range of emotions that one hopes to find in opera. 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Chord changesand girl group flourishesjust right. Children's show theme song vibes10 Songs 33 RPMLPCDNatalie Winkler on vocals and guitar, Cecilia Case-Hernandez on bass and vocals, Mason Blair on guitar, Natalia de la Cruz on keys, Taylor Rivers on drums The album was recorded and mixed December 2024-January 2025 in Watauga, Texas by Taylor Rivers and Mason Blair Combining both modern and old-school production techniques to create their own unique contemporary sound.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 789856133024\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Perennial\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":42954448568395,"sku":"302696518","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/4530886-3676807.jpg?v=1785293320"},{"product_id":"pre-order-martin-simpson-some-kind-of-jubilee-2cd-cd","title":"Pre-Order: Martin Simpson - Some Kind of Jubilee (2cd) [CD]","description":"\u003cp\u003eSome Kind of Jubilee is more than an album, it's a living testament to a lifetime immersed in music. 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The spectrum of solo electric guitar widens further here as those techniques share the room with more conventional playing and a broader palette: a Fender Bass VI, a 12-string electric, and on one piece a steel-string acoustic.Some of the pieces lean into fragility and let it stay. Others are epic and densely detailed - wall-of-sound passages that move across the whole frequency range, from the high crispness of an insect world down to sub-low, earthquake-like rumble. All of it is made live, in real time, on a single guitar - which makes the comparison to a classical recital literal rather than figurative: technically, that's what it is.All the pieces are his, written across those five years, except \"\"Alti Plano,\"\" which draws on a traditional Bolivian melody. The record was made live to tape in May and August 2023 at Electric Monkey Studio in Zaandam, with Kasper Frenkel engineering. Almost everything is analogue, apart from a few pedals. 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The album takes it's name from a small village in northern Germany where Vanoli stayed on writing retreats between 2018 and 2023. The forest, and long stretches of being alone in it, shaped how the music moves. Ventschau is an ode to that love of the forest - poetic and personal, with more room than before for melody, harmony, and song-like shapes. Mantra-like figures recur; on several pieces Vanoli sings softly into the strings, so breath, voice, and resonance carry as a single sound. At the core of the record are the \"\"blowing\"\" techniques Vanoli has been developing for years - sounds drawn from breath against the strings of a hyper amplified electric guitar, alongside the full range of artefacts and resonances such a guitar can be made to reveal, among them the voice itself, sung through the strings. This is the sound world of the instrument as he hears it, and it has kept opening since Bibrax. The spectrum of solo electric guitar widens further here as those techniques share the room with more conventional playing and a broader palette: a Fender Bass VI, a 12-string electric, and on one piece a steel-string acoustic.Some of the pieces lean into fragility and let it stay. Others are epic and densely detailed - wall-of-sound passages that move across the whole frequency range, from the high crispness of an insect world down to sub-low, earthquake-like rumble. All of it is made live, in real time, on a single guitar - which makes the comparison to a classical recital literal rather than figurative: technically, that's what it is.All the pieces are his, written across those five years, except \"\"Alti Plano,\"\" which draws on a traditional Bolivian melody. The record was made live to tape in May and August 2023 at Electric Monkey Studio in Zaandam, with Kasper Frenkel engineering. Almost everything is analogue, apart from a few pedals. Vanoli kept the number of takes low and let the rough edges stay where they fell.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlti Plano\u003c\/li\u003e\n\u003cli\u003eIrieee\u003c\/li\u003e\n\u003cli\u003eLoreley\u003c\/li\u003e\n\u003cli\u003eFriedenseiche\u003c\/li\u003e\n\u003cli\u003eLon Wolf\u003c\/li\u003e\n\u003cli\u003eVenus By Day - to Love\u003c\/li\u003e\n\u003cli\u003eSerendeep\u003c\/li\u003e\n\u003cli\u003eJobim)))\u003c\/li\u003e\n\u003cli\u003eOld Sack of Coal (CD Only)\u003c\/li\u003e\n\u003cli\u003ePlatonia (CD Only)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770002812402\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kuroneko\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Broadtime","offers":[{"title":"Default Title","offer_id":43030077636683,"sku":"336595744","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/7223\/1499\/files\/4535053-3688892.jpg?v=1786476219"},{"product_id":"pre-order-jim-curious-case-of-existence-blk-uk-lp","title":"Pre-Order: Jim - Curious Case Of Existence (Blk) (Uk) [LP]","description":"\u003cp\u003eToday, JIM - aka Jim Baron of Crazy P - announces his new album The Curious Case Of Existence, due out 18th September via Vicious Charm. To accompany the announcement and following last month's single \"\"Love Over Gold\"\", JIM has shared the album's irresistible new single \"\"Keeps Me Warm\"\", a beautiful, raw yet tender piece of music with looped guitar, electric swirls and tapped-out rhythms full of love and longing. Additionally, JIM has announced a six-date UK tour this October, including a performance at NT's Loft in East London. Full dates are listed below. When JIM's debut album Love Makes Magic was released in 2023, it marked the culmination of an experiment that began during the strange days of the pandemic. Cooped up in his studio, James Baron started tinkering with what would become a new musical project. The result was Vicious Charm's first LP release.Several tracks were overseen by veteran producer and musician Eddie Stevens (Moloko, Sia, Zero 7), who provided ideas, keyboards and guidance throughout the recording process. Sadly, The Curious Case Of Existence was completed in the shadow of the death of Crazy P vocalist Danielle Moore, whose passing in August 2024 continues to be deeply felt by everyone who knew her. Her memory inevitably finds it's way into the album's closing track, \"\"Windmills\"\", in which JIM recalls a road trip the pair took through the landscapes of Palm Springs and Las Vegas several years ago. \"\"I wanted to write something about her but I was struggling to find what it was I wanted to say... We had just driven past Palm Springs when Mary Lattimore's version of 'Wait For Now' by Cinematic Orchestra came on, and it's just harp and vocals and is absolutely jaw-dropping. It's this long stretch, with windmills either side of the road, hundreds of them, and this red sky - we were both welling up. It was a real moment. 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